Where may be the remedy for this widespread and widely spreading disease
among writers we do not know. It is not easy to keep up courageous faith
that there is any remedy. Still Nature abhors noise and haste, and shams
of all sorts. Quiet and patience are the great secrets of her force,
whether it be a mountain or a soul that she would fashion. We must believe
that sooner or later there will come a time in which silence shall have
its dues, moderation be crowned king of speech, and melodramatic,
spectacular, hysterical language be considered as disreputable as it is
silly. But the most discouraging feature of the disease is its extreme
contagiousness. All physicians know what a disastrous effect one
hysterical patient will produce upon a whole ward in a hospital. We
remember hearing a young physician once give a most amusing account of a
woman who was taken to Bellevue Hospital for a hysterical cough. Her
lungs, bronchia, throat, were all in perfect condition; but she coughed
almost incessantly, especially on the approach of the hour for the
doctor's visit to the ward. In less than one week half the women in the
ward had similar coughs. A single--though it must be confessed rather
terrific--application of cold water to the original offender worked a
simultaneous cure upon her and all of her imitators.
Not long ago a very parallel thing was to be observed in the field of
story-writing. A clever, though morbid and melodramatic writer published a
novel, whose heroine, having once been an inmate of a house of ill-fame,
escaped, and, finding shelter and Christian training in the home of a
benevolent woman, became a model of womanly delicacy, and led a life of
exquisite and artistic refinement. As to the animus and intent of this
story there could be no doubt; both were good, but in atmosphere and
execution it was essentially unreal, overwrought, and melodramatic. For
three or four months after its publication there was a perfect outburst
and overflow in newspapers and magazines of the lower order of stories,
all more or less bad, some simply outrageous, and all treating, or rather
pretending to treat, the same problem which had furnished theme for that
novel.
Probably a close observation and collecting of the dreary statistics would
bring to light a curious proof of the extent and certainty of this sort of
contagion.
Reflecting on it, having it thrust in one's face at every book-counter,
railway-stand, Sunday-school library, and parlor centre-table, it is hard
not to wish for some supernatural authority to come sweeping through the
wards, and prescribe sharp cold-water treatment all around to half drown
all such writers and quite drown all their books!
Jog Trot.
There is etymological uncertainty about the phrase. But there is no doubt
about its meaning; no doubt that it represents a good, comfortable gait,
at which nobody goes nowadays.
Public-domain text, read in full here on John Shaqi.
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