Roke laid aside his violin, at sight of Gavin and the Jap. At
the former's exclamation of amaze, two more of the Secret
Service men left their post at the front door and ran in. The
tramp of their hurrying feet made the guards outside the open
windows of the music room fling wide the closed shutters.
Clearly, Hade had not escaped past them.
Folding his arms, and grinning impudently at the astounded
cordon of faces, Roke drawled:
"I just dropped in to say 'Howdy' to Mr. Standish. Nobody was
around. So I made bold to pick up the fiddle and have a
little spiel. I ain't done any harm, and there's nothing
you-all can hold me on."
For ten seconds nobody answered. Nobody spoke or moved.
Then, Gavin Brice's face went crimson with sudden fury at his
own outwitting. He recalled the musical afternoon at
Roustabout Key which his presence had interrupted, and Roke's
fanatical devotion to Hade.
"I begin to understand," he said, his voice muffled in an
attempt to subdue his anger. "You and Hade were fond of the
violin, eh? And for some reason or other you long ago worked
up a series of signals on it, as the mind-reader with the
guitar-accompanist used to do in the vaudeville shows. Those
discordant phrases he started off with were your signal to
come to the rescue. And you came. But how did you come? And
how did he go? Both by the same way, of course. But--there
isn't even a chimney-piece in the room."
Once more, Roke grinned broadly. "I ain't seen hide nor hair
of Mr. Hade, not since this afternoon," said he. "I been
spendin' the evenin' over to Landon's. Landon is a tryin' to
sell me his farm. Says the soil on it is so rich that he
ships carloads of it up North, to use for fertilizer. Says--"
"Sato!" broke in Brice. "Can you make him talk? Miss
Standish, will you please go somewhere else for five minutes?
This is not going to be a pretty sight."
As the girl turned, obediently yet reluctantly, from the room,
the Jap, with a smile of perfect bliss on his yellow face,
advanced toward Roke.
The big man wheeled, contemptuously, upon him. Sato sprang at
him. With a hammerlike fist, Roke smote at the oncoming
pigmy. The arm struck, to its full length. But it did not
reach its mark, nor return to the striker's side. By a
queerly crablike shift of his wiry body, the Jap had eluded
the blow, and had fastened upon the arm, above the elbow and
at the wrist.
A cross-pull wrench of the Jap's body brought a howl of pain
from Roke and sent him floundering helplessly to his knees,
while the merest leverage pressure from his conqueror held him
there. But the Jap was doing more. The giant's arm was
bending backward and sideways at an impossible angle. Nor
could its owner make a move to avert the growing unbearable
torture. It was one of the simplest, yet one of the most
effective and agonizing, holds in all jiujutsu.
Public-domain text, read in full here on John Shaqi.
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