"He was with the crew. Rodney and he went together to the
yacht for them. The Secret Service men didn't get him, in the
round-up. He crept as close to the house as he dared. And he
heard Rodney sounding the signal alphabet they had worked up,
on the violin. He got into the tunnel and so to the cellar,
and then sneaked up, and took Rodney's place at fiddling. He
seems to have been as willing to sacrifice himself for his
master as any dog would have been. Or else he counted on
Brice's not having any evidence to hold him on.
"By the way, do you remember that conch, Davy, over at
Roustabout Key? Brice says he's a Secret Service man. He and
Brice used to fish together, off the keys, when they were
boys. Davy volunteered for the war. And Brice made good use
of him, over there, and got him into the Secret Service when
they came back. It's all so queer--so--!"
"Is Mr. Brice still downstairs?" interrupted Claire, her eyes
straying involuntarily toward the door of the room.
"No. He had to go. He left his good-byes for you. His work
here is done. And he has to start for Washington on the 2
A.M. train from Miami. By the way, the best part of it all
is that he says a fugitive from justice can't bring legal
proceedings in a civil court. So Rodney can never foreclose
on us or take up those notes of mine. Lord, but that chap,
Brice, is a wonder!"
Vital as was the news about the notes and the mortgage, Claire
scarce heard it. In, her ears, and through the brain and
heart of her, rang drearily the words:
"He had to go. He left his good-byes for you. His work here
is done."
His work was done! Yes. But was that to be all? Had the
light in his eyes and the vibrant tremor in his voice as he
talked with her--had these been part of his "work," too? Was
it all to end, like this,--and before it had begun?
To her own surprise and to her brother's greater astonishment,
the usually self-contained Claire Standish burst into a
tempest of weeping.
"Poor, poor little girl!" soothed Milo. "It's all been too
much for you! No one could have stood up under such a strain.
I'll tell you what we're going to do: We're going to Miami,
for a week or two, and have a jolly time and make you try to
forget all this mystery and excitement. We'll go to-morrow
morning, if you say so."
The Miami season was at its climax. The half-moon driveway
outside the front entrance to the Royal Palm Hotel was crowded
thick with waiting motor cars, whose occupants were at the
hotel's semi-weekly dance. On the brightlit front veranda men
in white and in dinner-clothes and women in every hue of
evening dress were passing to and fro. Elderly folk, sitting
in deep porch chairs, watched through the long windows the
gayly-moving dancers in the ballroom. Out through wide-open
doors and windows pulsed the rhythmic music.
Public-domain text, read in full here on John Shaqi.
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