Nursing his wrenched wrist. Roke glowered hideously at the
smiling Gavin. Brice could feel no compunction for his own
behavior. For he remembered the hurled knife and the brutal
kicking of the dog. Yet he repented him of the hand-twisting
trick. For if he and Roke were expected to work together as
Milo had said, he had certainly made a most unfortunate
beginning to their acquaintanceship, and just now he had added
new and painful aggravation to his earlier offense.
Milo was surveying the sufferer with no great pity, as Roke
bent over his hurt wrist.
"Too bad!" commented Standish. "I suppose that will put a
crimp in your violin-playing for a while."
Turning to Gavin who looked in new surprise at the giant on
hearing of this unexpected accomplishment. Milo explained:
"I hired Roke to run this key for me and keep the conchs and the
coons at work. But I've got a pretty straight tip that, as soon
as my back is turned, he cuts indoors and spends most of his day
whanging at that disreputable old violin of his. And when Rodney
Hade comes over here. I can't get a lick of work out of Roke,
for love or money. Hade is one of the best amateur violinists
in America, and he's daft on playing. He drops in here, every
now and then--he has an interest with me in the groves--and as
soon as he catches sight of Roke's violin, he starts playing it.
That means no more work out of Roke till Hade chooses to stop.
He just stands, with his mouth wide open, hypnotized. Can't
drag him away for a second. Hey, Roke?"
Roke had ceased nursing his wrist and had listened
with sheepish amusement to his employer's guying. But at this
question, he made answer:
"I'm here now."
He jerked the thumb of his uninjured hand toward a spic-and-span
launch which lay moored between two sodden scows, and
then nodded in the direction of the corrugated iron hut among
the trees.
Listening--though the wind set the wrong way for it--Brice
could hear faintly the strains of a violin, played ever so
softly and with a golden wealth of sweetness. Even at that
distance, by listening closely, he could make out a phrase or
so of Dvorak's "Hiawatha" music from the "New World Symphony."
Milo's loud laugh broke in on his audition and on the suddenly
rapt look upon Roke's bruised face.
"Come along!" said Standish, leading the way toward the house.
"Music's a fine thing, I'm told. But it doesn't spray a
grapefruit orchard or keep the scale off of mango trees. Come
up to the house. I want to show you over the island and have
a chat with you about the job I have in mind."
As Milo strode on the two others fell in step behind him.
Brice lowered his voice and said to the sulking Roke:
"That collie belongs to Mr. Standish. I did you a good turn
it seems by keeping you from stealing him. You'd have been in
a worse fix than you are now, if Mr. Standish had come over
here to-day and found him on the island."
Roke did not deign to reply, but moved a little farther from
the speaker.
Public-domain text, read in full here on John Shaqi.
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