Families -- Fiction; Fathers and sons -- Fiction; Husband and wife -- Fiction; New York (N.Y.) -- Fiction
He had walked past the theatre three or four times before finally making
up his mind to enter, and even then his intentions were not quite clear.
He only knew that he was consciously committing an act that he was
ashamed of, an act so inexcusable that his face burned as he thought of
the struggle he had had with himself up to the moment he stood at the
box-office window.
Inside the theatre he leaned weakly against the railing at the back
of the auditorium and wiped his brow. What was it that had dragged him
there against his will, in direct opposition to his dogged determination
to shun the place? The curtain was up, the house was still, save for the
occasional coughing of those who succumb to a habit that can neither be
helped nor explained.
There were people moving on the stage, but Frederic had no eyes for
them. He was seeking in the darkness for the two figures that he knew
were somewhere in the big, tense throng.
Hundreds of backs confronted him, no faces. A sensation not far removed
from stealth took possession of him. His searching eyes were furtive
in their quest. If he had been lonely before, he was doubly so now.
The very presence of the multitude filled him with a sickening sense of
emptiness. He was friendless there, with all those contented backs for
company. Not one among them all had a thought for him, not one turned
so much as an inch from the engrossing scene that held them in its grip.
Straight, immovable, unresponsive backs--nothing but backs!
Again he asked of himself, why was he there? And he pitied himself so
vastly that his throat contracted as with pain. His soul sickened. The
truth was being revealed to him as he stood there and with aching eyes
searched throughout the serried rows of backs. It came home to him
all of a sudden that his quest was a gleaming white back and a small,
exquisitely poised head crowned with black.
With a sharp execration, a word of disgust for himself, he tore himself
away from the railing and rushed toward the doors. At the same instant
a tremendous burst of applause filled the house and he whirled just in
time to see the curtain descending. Curiously interested, he paused near
the door, his gaze fixed on the great velvet wall that rose and fell
at least a half-dozen times in response to the clamour of the delighted
crowd.
The backs all at once seemed to become animated and friendly. He drew
near the last row of seats again and stared at the actor and the actress
who came out to take the “curtain-call”--stared as if at something he
had never seen before.
And they had been up there all the time, developing the splendid climax
that had drawn people out of their seats, that had put life into all
those insufferable backs.
Public-domain text, read in full here on John Shaqi.
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