Families -- Fiction; Fathers and sons -- Fiction; Husband and wife -- Fiction; New York (N.Y.) -- Fiction
Left alone, Yvonne turned her attention to the window across the
court and two floors above her the heavily curtained window in Brood's
“retreat.” There was no sign of life there, so she hurried to the front
of the house to wait for the departure of James Brood and his man.
The two were going down the front steps. At the bottom Brood spoke to
Ranjab, and the latter, as imperturbable as a rock, bowed low and moved
off in an opposite direction to that taken by his master. She watched
until both were out of sight. Then she rapidly mounted the stairs to the
top floor.
Frederic was lying on the couch near the jade room door. She was able
to distinguish his long, dark figure after peering intently about the
shadowy interior in what seemed at first to be a vain search for him.
She shrank back, her eyes fixed in horror upon the prostrate shadow.
Suddenly he stirred and then half raised himself on one elbow to stare
at the figure in the doorway.
“Is it _you?_” he whispered hoarsely, and dropped back with a great sigh
on his lips.
Her heart leaped. The blood rushed back to her face. Quickly closing the
door, she advanced into the room, her tread as swift and as soft as a
cat's.
“He has gone out. We are quite alone,” she said, stopping to lean
against the table, suddenly faint with excitement.
He laughed, a bitter, mirthless, snarling laugh.
“Get up, Frederic. Be a man! I know what has happened. Get up! I want to
talk it over with you. We must plan. We must decide now at once--before
he returns.” The words broke from her lips with sharp, staccato-like
emphasis.
He came to a sitting posture slowly, all the while staring at her with a
dull wonder in his heavy eyes.
“Pull yourself together,” she cried hurriedly. “We cannot talk here. I
am afraid in this room. It has ears, I know. That awful Hindu is always
here, even though he may seem to be elsewhere. We will go down to my
boudoir.”
He slowly shook his head and then allowed his chin to sink dejectedly
into his hands. With his elbows resting on his knees, he watched her
movements in a state of increasing interest and bewilderment. She turned
abruptly to the Buddha, whose placid, smirking countenance seemed to be
alive to the situation in all of its aspects. Standing close, her hands
behind her back, her figure very erect and theatric, she proceeded to
address the image in a voice full of mockery.
“Well, my chatterbox friend, I have pierced his armour, haven't I? He
will creep up here and ask you, his wonderful god, to tell him what to
do about it, _aïe?_ His wits are tangled. He doubts his senses. And
when he comes to you, my friend, and whines his secret doubts into your
excellent and trustworthy ear, do me the kindness to keep the secret I
shall now whisper to you, for I trust you, too, you amiable fraud.”
Public-domain text, read in full here on John Shaqi.
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