Families -- Fiction; Fathers and sons -- Fiction; Husband and wife -- Fiction; New York (N.Y.) -- Fiction
Many minutes passed. There was not a sound, not a movement in the room.
Brood, kneeling beside the outstretched figure of his unintended victim,
was staring at the graying face with wide, unblinking eyes. He looked
at last upon features that he had searched for in vain through all the
sullen years. There was blood on his hands and on his cheek, for he had
listened at first for the beat of the heart. Afterward his agonised gaze
had gone to the bloodless face. There it was arrested.
A dumb wonder possessed his soul. He knelt there petrified by the shock
of discovery. In the dim light he no longer saw the features of Matilde,
but his own, and his heart was still. In that revealing moment he
realised that he had never seen anything in Frederic's countenance save
the dark, never-to-be-forgotten eyes, and they were his Matilde's.
Now those eyes were closed. He could not see them, and the blindness was
struck from his own.
He had always looked into the boy's eyes, he had never been able to seek
farther than those haunting, inquiring eyes, but now he saw the lean,
strong jaw and the firm chin, the straight nose and the broad forehead,
and none of these was Matilde's. These were the features of a man, and
of but one man. He was seeing himself as he was when he looked into his
mirror at twenty-one.
All these years he had been blind; all these years he had gone on
cursing his own image. In that overpowering thought came the realisation
that it was too late for him to atone. His mind slowly struggled out of
the stupefied bondage of years. He was looking at his own face. Dead, he
would look like that! Matilde was gone for ever, the eyes were closed,
but he was there; James Brood was still there, turning grayer and grayer
of face all the time.
All the pent-up rage of years rushed suddenly to his lips and an awful
curse issued, but it was delivered against himself. He started to rise
to his feet, his mind bent on the one way to end the anguish that was
too great to bear. The revolver!
It had been cruel, it should be kind. His heart leaped. He had a few
seconds to live, not longer than it would take to find the weapon and
place it against his breast--just so long and no longer would he be
compelled to live.
He had forgotten the woman. She was standing just beyond the body that
stretched itself between them. Her hands were clasped against her breast
and her eyes were lifted heavenward. She had not moved throughout that
age of oblivion.
He saw her and suddenly became rigid. Slowly he sank back, his eyes
distended, his jaw dropping. He put out a hand and saved himself from
falling, but his eyes did not leave the face of the woman who prayed,
whose whole being was the material representation of prayer. But it
was not Yvonne, his wife, that he saw standing there. It was another
Matilde!
Public-domain text, read in full here on John Shaqi.
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