Families -- Fiction; Fathers and sons -- Fiction; Husband and wife -- Fiction; New York (N.Y.) -- Fiction
“I have come, as I said I would,” she said, after a long, tense
silence. Her voice was low, huskier than ever, but without a tremor of
excitement. “You did not say you would wait for me here, but I knew you
would do so. The hour of reckoning has come. We must pay, both of us.
I am not frightened by your silence, James, nor am I afraid of what you
may say or do. First of all, it is expected that Frederic will die. Dr
Hodder has proclaimed it. He is a great surgeon. He ought to know. But
he doesn't know--do you hear? He does not know. I shall not let him
die.”
“One moment, if you please,” said her husband coldly. “You may spare me
the theatrics. Moreover, we will not discuss Frederic. What we have to
say to each other has little to do with that poor boy downstairs. This
is _your_ hour of reckoning, not his. Bear that------”
“You are very much mistaken,” she interrupted, her gaze growing more
fixed than before. “He is a part of our reckoning. He is the one great
character in this miserable, unlooked-for tragedy. Will you be so kind
as to draw those curtains? And do me the honour to allow me to sit in
your presence.”
There was infinite scorn in her voice. “I am very tired. I have not been
idle. Every minute of my waking hours belongs to your son, James Brood,
but I owe this half-hour to you. You shall know the truth about me, as
I know it about you. I did not count on this hour ever being a part of
my life, but it has to be, and I shall face it without weeping over what
might have been. Will you draw the curtains?”
He hesitated a moment and then jerked the curtains together, shutting
out the pitiless glare.
“Will you be seated there?” he said quietly, pointing to a chair at the
end of the table.
She switched on the light in the big lamp, but instead of taking the
chair indicated, sank into one on the opposite side of the table, with
the mellow light full upon her lovely, serious face.
“Sit there,” she said, signifying the chair he had requested her to
take. “Please sit down,” she went on impatiently, as he continued to
regard her forbiddingly from his position near the window.
“I shall be better able to say what I have to say standing,” he said
significantly.
“Do you expect me to plead with you for forgiveness?” she inquired, with
an unmistakable look of surprise.
“You may save yourself the humiliation of such----”
“But you are gravely mistaken,” she interrupted. “I shall ask nothing of
you.”
“Then we need not prolong the------”
“I have come to explain, not to plead,” she went on resolutely. “I want
to tell you why I married you. You will not find it a pleasant story,
nor will you be proud of your conquest. It will not be necessary for
you to turn me out of your house. I entered it with the determination to
leave it in my own good time. I think you had better sit down.”
Public-domain text, read in full here on John Shaqi.
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