Families -- Fiction; Fathers and sons -- Fiction; Husband and wife -- Fiction; New York (N.Y.) -- Fiction
“Yes, James Brood, I represent the spirit of Matilde Valeska, if you
will have it so. Not sent to curse you, but to love you. That's the pity
of it all. I swear to you that it is the spirit of Matilde that urges
me to love you and to spare you now. It is the spirit of Matilde that
stands between her son and death. But it is not Matilde who confronts
you here and now, you may be sure of that. Matilde loved you. She loves
you now, even in her grave. You will never be able to escape from that
wonderful love of hers. If there have been times--and God help me, there
were many, I know--when I appeared to love you for myself, I swear
to you that I was moved by the spirit of Matilde. I--I am as much
mystified, as greatly puzzled as yourself. I came here to hate you, and
I have loved you; yes, there were moments when I actually loved you.”
Her voice died away into a whisper. For many seconds they sat looking
into each other's eyes, neither possessing the power to break the
strange spell of silence that had fallen upon them.
“No, it is not Matilde who confronts you now, but one who would not
spare you as she did up to the hour of her death. You are quite safe
from ghosts from this hour on, my friend. You will never see Matilde
again, though you look into my eyes till the end of time. Frederic may
see, may feel the spirit of his mother, but you--ah, no! You have seen
the last of her. Her blood is in my veins, her wrongs are in my heart.
It was she with whom you fell in love, and it was she you married six
months ago, but now the curtain is lifted. Don't you know me now, James?
Can your memory carry you back twenty-three years and deliver you from
doubt and perplexity? Look closely, I say. I was six years old then,
and------”
Brood was glaring at her as one stupefied. Suddenly he cried out in a
loud voice. “You are you are the little sister? The little Thérèse?”
She was standing now, leaning far over the table, for he had shrunk down
into his chair.
“The little Thérèse, yes! Now do you begin to see? Now do you begin to
realise what I came here to do? Now do you know why I married you? Isn't
it clear to you? Well, I have tried to do all these things so that I
might break your heart as you broke hers. I came to make you pay!”
She was speaking rapidly, excitedly now. Her voice was high-pitched and
unnatural. Her eyes seemed to be driving him deeper and deeper into the
chair, forcing him down as though with a giant's hand.
Public-domain text, read in full here on John Shaqi.
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