Families -- Fiction; Fathers and sons -- Fiction; Husband and wife -- Fiction; New York (N.Y.) -- Fiction
“How wonderfully like you Frederic is, Mr Brood.” Then she added: “Do
you know, I've never noticed it until to-night? It's really remarkable.”
“Indeed,” Brood responded somewhat icily.
“Don't you think so, Mr Brood?”
“No, I do not, Miss Janey,” said he distinctly.
“Maisie Gunning was speaking of it just a few minutes ago,” went on
the girl, unimpressed. “She says you are very much alike when you
are--are------” here she foundered in sudden confusion.
“Intoxicated?” he inquired, without a smile.
She blushed painfully. “No, no! When you are angry. There, I suppose I
shouldn't have said it, but------”
“It is a most gratifying discovery,” said he, and turned to speak to
Mrs Desmond. He did not take his gaze from Frederic's white, set face,
however; and, despite the fact that he knew the girl had uttered an idle
commonplace, he was annoyed to find himself studying the features of
Matilde's boy with an interest that seemed almost laughable when he
considered it later on.
His guests found much to talk about in the room. He was soon being
dragged from one object to another and ordered to reveal the history,
the use, and the nature of countless things that obviously were intended
to be just what they seemed; such as rugs, shields, lamps, and so forth.
He was ably assisted by Messrs Riggs and Dawes, who lied prodigiously in
a frenzy of rivalry.
“What a perfectly delightful Buddha!” cried Miss Janey, stopping in
front of the idol. “How perfectly lovely he is--or is it a she, Mr
Brood?”
He did not reply at once. His eyes were on Frederic and Yvonne, who had
come together at last and were conversing earnestly apart from the rest
of the group. He observed that Lydia was standing quite alone near the
table, idly handling a magazine. To the best of his recollection,
Frederic had scarcely spoken to the girl during the evening.
“This is where I work and play and dream, Miss Janey, and practise the
ogre's art. It is a forbidden chamber, my sanctuary,”--with a glance at
the idol--“and here is where I sometimes chop off pretty young women's
heads and hang them from the window-ledge as a warning to all other
birds of prey.”
Miss Janey laughed gleefully, attracting Yvonne's attention. Then she
sang out across the room:
“Your husband says he is an ogre. Is he?”
Yvonne came languidly toward them.
“My husband manages to keep me in his enchanted castle without chains
and padlocks, and that is saying a great deal in this day and age, my
dear. Would you call him an ogre after that?”
“Perhaps it is the old story of the fairy queen and the ogre.”
“You may be sure I'd be an ogre if there was no other way of keeping
you, my dear,” said Brood. There was something in his voice that caused
her to look up into his face quickly.
Public-domain text, read in full here on John Shaqi.
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