Families -- Fiction; Fathers and sons -- Fiction; Husband and wife -- Fiction; New York (N.Y.) -- Fiction
“The time has come for frankness on my part. You set me an example,
Lydia. You have the courage of your father. For months I have had it in
my mind to tell you the truth about Frederic, but my courage has always
failed me. Perhaps I use the wrong word. It may be something very unlike
cowardice that has held me back. I am going to put a direct question to
you first of all, and I ask you to answer truthfully. Would you say
that Frederic is like--that is, resembles his father?” He was leaning
forward, his manner intense.
Lydia was surprised.
“What an odd thing to say! Of course he resembles his father. I have
never seen a portrait of his mother, but------”
“You mean that he looks like me?” demanded Brood.
“Certainly. What do you mean?”
Brood laughed, a short, ugly laugh--and then fingered his chin
nervously.
“He resembles his mother,” he said.
“When he is angry he is very much like you, Mr Brood. I have often
wondered why he is unlike you at other times. Now I know. He is like his
mother. She must have been lovely, gentle, patient------”
“Wait! Suppose I were to tell you that Frederic is not my son?”
“I should not believe you, Mr Brood,” she replied flatly. “What is it
that you are trying to say to me?”
He turned away abruptly.
“I will not go on with it. The subject is closed. There is nothing to
tell--at present.”
She placed herself in front of him, resolute and determined.
“I insist, Mr Brood. The time _has_ come for you to be frank. You must
tell me what you meant by that remark.”
“Has your mother never told you anything concerning my past life?” he
demanded.
“What has my mother to do with your past life?” she inquired, suddenly
afraid.
“I refer only to what she may have heard from your father. He knew more
than any of them. I confided in him to a great extent. I had to unburden
myself to someone. He was my best friend. It is not improbable that he
repeated certain parts of my story to your mother.”
“She has told me that you--you were not happy, Mr Brood.”
“Is that all?”
“I--I think so.”
“Is that all?” he insisted.
“When I was a little girl I heard my father say to her that your life
had been ruined by--well, that your marriage had turned out badly,” she
confessed haltingly.
“What more did he say?”
“He said--I remember feeling terribly about it--he said you had driven
your wife out of this very house.”
“Did he speak of another man?”
“Yes. Her music-master.”
“You were too young to know what that meant, eh?”
“I knew that you never saw her after--after she left this house.”
“Will you understand how horrible it all was if I say to you now
that--Frederic is not my son?”
Her eyes filled with horror.
“How can you say such a thing, Mr Brood? He is your son. How can you
say------”
“His father is the man who wrote the accursed waltz he has just been
playing! Could there be anything more devilish than the conviction it
carries? After all these years, he------”
“Stop, Mr Brood!”
Public-domain text, read in full here on John Shaqi.
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