"Damn you and your ideas," said Larrimer. "I'm going to go my own way. I
know what's best."
He reached the door, his hand went back to the butt of his revolver.
And then it snapped in Terry, that last restraint which had been at the
breaking-point all this time. He felt a warmth run through him--the
warmth of strength and the cold of a mysterious and evil happiness.
"Wait, Larrimer!"
The big man whirled as though he had heard a gun; there was a ring in the
voice of Terry like the ring down the barrel of a shotgun after it has
been cocked.
"You agin?" barked Larrimer.
"Me again. Larrimer, don't shoot the horse."
"Why not?"
"For the sake of your soul, my friend."
"Boys, ain't this funny? This gent is a sky-pilot, maybe?" He made a long
stride back.
"Stop where you are!" cried Terry.
He stood like a soldier with his heels together, straight, trembling. And
Larrimer stopped as though a blow had checked him.
"I may be your sky-pilot, Larrimer. But listen to sense. Do you really
mean you'd shoot that red horse in front of the hotel?"
"Ain't you heard me say it?"
"Then the Lord pity you, Larrimer!"
Ordinarily Larrimer's gun would have been out long before, but the change
from this man's humility of the moment before, his almost cringing
meekness, to his present defiance was so startling that Larrimer was
momentarily at sea.
"Damn my eyes," he remarked furiously, "this is funny, this is. Are you
preaching at me, kid? What d'you mean by that? Eh?"
"I'll tell you why. Face me squarely, will you? Your head up, and your
hands ready."
In spite of his rage and wonder, Larrimer instinctively obeyed, for the
words came snapping out like military commands.
"Now I'll tell you. You manhunting cur, I'm going to send you to hell
with your sins on your head. I'm going to kill you, Larrimer!"
It was so unexpected, so totally startling, that Larrimer blinked, raised
his head, and laughed.
But the son of Black Jack tore away all thought of laughter.
"Larrimer, I'm Terry Hollis. Get your gun!"
The wide mouth of Larrimer writhed silently from mirth to astonishment,
and then sinister rage. And though he was in the shadow against the door,
Terry saw the slow gleam in the face of the tall man--then his hand
whipped for the gun. It came cleanly out. There was no flap to his
holster, and the sight had been filed away to give more oiled and perfect
freedom to the draw. Years of patient practice had taught his muscles to
reflex in this one motion with a speed that baffled the eye. Fast as
light that draw seemed to those who watched, and the draw of Terry Hollis
appeared to hang in midair. His hand wavered, then clutched suddenly, and
they saw a flash of metal, not the actual motion of drawing the gun. Just
that gleam of the barrel at his hip, hardly clear of the holster, and
then in the dimness of the big room a spurt of flame and the boom of the
gun.
Public-domain text, read in full here on John Shaqi.
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