Rollo Landers Todd, the "Poet of Manhattan," had stalked in with a Prussian helmet on his head, his girth draped in a rich blue shawl embroidered and fringed with white, a bitter frown on his jovial round face; and in his hand a long rod with a large blue bow on the metal point designed to shut refractory windows. Helen Vane Baker, a contribution from Society to the art of fiction, with flowing hair and arrayed in a long nightgown over her dress, fortunately white, was assisted to the top of the bookcase on the west wall. Henry Church, a famous satirist, muffled in a fur cloak, a small black silk handkerchief pinned about his lively face, stumped heavily into the room, fell in a heap on the floor against the opposite wall, and in a magnificent bass growled out the resentment of Ortrud, while a rising but not yet prosilient pianist, with a long blonde wig from Miss Dwight's property chest, threw his head back, shook his hands, adjusted a cigarette in the corner of his mouth, and banged out the prelude to _Lohengrin_ with amazing variations. Elsa, with her profile against the wall and her hands folded across her breast, sang what of Elsa's prayer she could remember and with no apparent effort improvised the rest. Lohengrin pranced up and down the room barking out German phonetics (he did not know a word of the language, but his accent was as Teutonic as his helmet), demanding vengeance and threatening annihilation. He brandished his pole in the face of Ortrud, stamping and roaring, then, bending his knees, waddled across the room and prodded Elsa, who winced perceptibly but continued to mingle her light soprano with the rolling bass of Mr. Church and the vociferations of the poet. Finally, at the staccato command of Mr. Todd's hoarsening voice, she toppled over into his arms and they both fell on Ortrud. The nonsense was over. No one applauded more spontaneously than Madame Zattiany, and she even drank a cocktail. By this time every one in the room had been introduced to her and she was chatting as if she hadn't a care in the world. As far as Clavering could see, she had every intention of making a Sophisticate night of it. The pianist, after a brief interval for recuperation, played with deafening vehemence and then with excruciating sweetness. Once more cocktails were passed, and then there was a charade by Todd, Suzan Forbes and the handsome young English sculptress, which Madame Zattiany followed with puzzled interest; and was so delighted with herself for guessing the word before the climax that she clapped her hands and laughed like a child.