Mrs. Oglethorpe gave him a sharp look but surrendered. When he shouted "Jane" at her in precisely the same tone as he often exploded "Jim" to her son, she found herself suddenly in a mood to deny him nothing. XXXII They went up to her sitting-room to spend the rest of the evening. It was a large high room overlooking the park and furnished in massive walnut and blood-red brocade: a room as old-fashioned and ugly as its mistress but comfortable withal. On a table in one corner was an immense family Bible, very old, and recording the births, marriages, and deaths of the Van den Poeles from the time they began their American adventures in the seventeenth century. On another small table in another corner was a pile of albums, the lowest containing the first presentments of Mrs. Oglethorpe's family after the invention of calotype photography. These albums recorded fashion in all its stages from 1841 down to the sport suit, exposed legs and rolled stockings of Janet Oglethorpe; a photograph her grandmother had sworn at but admitted as a curiosity. One of the albums was devoted to the friends of Mrs. Oglethorpe's youth, and Mary Ogden occupied the place of honor. Clavering had once derived much amusement looking over these old albums and listening to Mrs. Oglethorpe's running and often sarcastic comment; but although he had recalled to mind this photograph the night Mr. Dinwiddie had been so perturbed by the stranger's resemblance to the flame of his youth, he had, himself, been so little interested in Mary Ogden that it had not occurred to him to disinter that old photograph of the eighties and examine it in detail. He turned his back squarely on it tonight, although he had a misgiving that it was not Janet who had inspired Mrs. Oglethorpe's singular note. On one wall was a group of daguerreotypes, hideous but rare and valuable. An oil painting of James Oglethorpe, long dead, hung over the fireplace; an amiable looking gentleman with long side-whiskers sprouting out of plump cheeks, a florid complexion, and the expression of a New Yorker who never shirked his civic obligations, his chairmanships of benevolent institutions, nor his port. Opposite was another oil painting of young James taken at the age of twelve, wearing a sailor suit and the surly expression of an active boy detained within walls while other boys were shouting in the park. Beside it was a water color of Janet at the age of two, even then startlingly like her grandmother. She had been Mrs. Oglethorpe's favorite descendant until the resemblance had become too accentuated by modern divagations.