"No, I should not. What a question! I should have loved you in one
way as I do now--with that part of me that worships you. But men are
men, and never will be demi-gods."
This time she did laugh, and until tears were in her eyes. "Oh, Lee!
No wonder I fell in love with you. Any other man--well, I couldn't
have loved you. My soul was too old." And then her eyes widened as
she stared before her. "Perhaps----"
He sprang to his feet and pulled her up from her chair. "None of that.
None of that. And now I do want to kiss you."
And as Mary Zattiany never did anything by halves she was completely
happy, and completely young.
XXXVI
He left her at ten o'clock, and the next morning rose at seven and went
to work at once on his play. He chose the one that had the greatest
emotional possibilities. Gora Dwight had told him that he must learn
to "externalize his emotions," and he felt that here was the supreme
opportunity. Never would he have more turgid, pent-up, tearing
emotions to get rid of than now. He wrote until one o'clock, then,
after lunch and two hours on his column, went out and took a long walk;
but lighter of heart than since he had met Mary Zattiany. He also
reflected with no little satisfaction that when writing on the play he
had barely thought of her. All the fire in him had flown to his head
and transported him to another plane; he wondered if any woman, save in
brief moments, could rival the ecstasy of mental creation. That rotten
spot in the brain, dislocation of particles, whatever it was that
enabled a few men to do what the countless millions never dreamed of
attempting, or attempt only to fail, was, through its very abnormality,
productive of a higher and more sustained delight, a more complete
annihilation of prosaic life, than any mere function bestowed on all
men alike. It might bring suffering, disappointment, mortification,
even despair in its train, but the agitation of that uncharted tract in
the brain compensated for any revenge that nature, through her
by-product, human nature, might visit on those who departed from her
beloved formulae.
Nevertheless, and before his walk was finished and he had returned home
to dress for dinner with her, the play was on one plane and he on
another, visioning himself alone with her in the Austrian agapemone.
And cursing the interminable weeks between. He anathematized himself
for consenting to the delay, and vowed she'd had her own way for the
last time, He foresaw many not unagreeable tussles of will. She was
far too accustomed to having her own way. Well, so was he.
For two weeks he left his rooms only to walk, or dine or spend an hour
with her in the afternoon when she was alone. He rebelled less than he
had expected. If he could not have her wholly, the less he saw of her
the better.
Public-domain text, read in full here on John Shaqi.
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