"Not a bit of it. But she's a wise cold-blooded critic. You can't blame me for not even talking about it to you. I see so little of you that I've no intention of wasting any of the precious time." "But you might let me read it." "I'd rather wait until it's finished and as polished and perfect as I can make it. I always want you to know me at my best." "Oh, my dear! You forget that we are to be made one and remain twain. Do you really believe that we shall either of us always be at our best?" "Well, to tell you the truth, I don't care a hang whether we are or not. I'll have you, and all to myself. And I won't say 'for a while, at least.' Do you imagine that when we return to New York I'm going to let Society take possession of you again? Not only shall I work harder than I've ever worked before, but I'd see little more of you than I do now. And that I'll never submit to again. I'll write my next play inside this house, and you'll be here when I want you, not gadding about." She felt a sudden pang of dismay, apprehension. New York? She realized that not for a moment had she given up her original purpose. But why disturb the serenity of the present? When she had him in the Dolomites . . . She answered him in the same light tone. "I'm having my last fling at New York Society. When we return we'll give our spare time to the Sophisticates. I see far less of them now than I like." Then, with a further desire to investigate the literary temperament, even if she were stabbed again in the process, she looked at him with provocative eyes and said: "I've sometimes wondered why you haven't insisted upon a secret marriage. I'm told it can be done with a reasonable prospect of success in certain states." "Don't imagine I didn't think of it . . . but--well--I think the play would go fluey . . . you see. . . ." "I see! And what about your next?" "The next will be a comedy. I'll never be able to write a tremendously emotional play again." "And meanwhile you will not deny that the artist has submerged the lover." "I admit nothing of the sort. But you yourself let the artist loose--and what in God's name should I be doing these cursed weeks if you hadn't? You know you never would have consented to a secret marriage. You've set your heart on the Dolomites. . . . How about that interval of travel, by the way? Liners and trains are not particularly conducive to illusions." "I thought I'd told you. My plan is to be married there. I should go on a preceding steamer and see that the Lodge was in proper condition. I want everything to be quite perfect, and Heaven only knows what has happened to it."