She did not seem inclined for more than desultory conversation, but she had the gift of making silence eloquent, and Clavering, his fears banished, although by no means at peace, gave himself up to the pleasure of the moment. They walked briskly for several miles, then had their breakfast at a roadside inn; and both were so hungry that they talked even less than before. But there was little need for words between them; the current was too strong, and both were merely vital beings to whom companionship and healthy exercise were the highest good at the moment. During the long walk back to the ferry she talked with a certain excitement. But it was all of the woods of Austria, the carefully tended woods with their leaping stags, their winding paths where no trolley-cars over-laden with commuters rushed shrieking by, their enchanting vistas with a green lake at the end, or a monastery, or a castle on a lofty rock. She told him of the river Inn roaring through its gorges, with its solitary mills, its clustered old villages huddled at the foot of the heavy silent woods and forgotten by the world. The millers were all old men now, no doubt, and the poor villages inhabited only by women and children. Or blinded and broken men who had dragged themselves back from the war to exist where they once had given life and energy to that quiet valley of the Inn. If this made her sad for a moment it was purely an impersonal sadness, and when they parted on the New York side of the ferry Clavering had forgotten his doubts and went back to his work with a light heart and an untroubled mind. The play was almost finished, and its chances for swift production were far greater than is usually the case with the new adventurer into the most inhospitable of all fields of artistic endeavor. Adrian Hogarth, who had a play on Broadway every year, and Edwin Scores, who had recently exchanged the esteem of the few for the enthusiasm of The Public, had read it act by act and given him the practical advice he needed. A dramatic critic always believes he knows more about plays than any one else until he attempts to write one, but Clavering, at least, if not unduly modest, was too anxious to succeed not to welcome all the help he could get.