American fiction -- 20th century; Bohemianism -- Fiction
A peculiar species of happiness lurked beneath the weeping. Grief,
hating itself, found a revengeful pleasure in attempting to tear and
exhaust itself into death. Sometimes the turmoil subsided to a light
and sibilant fight for breath. The animal noise departed then and a
small soul, much lighter than a phantom sin, plucked unavailingly at
the mysterious spear that had suddenly coerced its breast.... The
dark words of twilight finally entered the room, making an opera of
the marred lyricism that escaped from the hidden face on the bed.
Then night pardoned the deficiencies of the room and corrected them
with moonlight, creating a tragic and chaste boudoir. Carl Felman
felt emptied of all sound, and a mad craving for motion stabbed his
limbs. He wanted to rush endlessly into space, barely supported by the
breathless consolation of running after something that could never be
caught. This would also be of great value to his heart, which was a
stiffly smirking acrobat who has broken his legs but still strives to
continue the act.
He leaped from the bed and seized his cap. His mother, who had been
entering his room at intervals and vainly questioning him, stopped him
at the outer doorway.
“Carl, where are you going?” she cried, in a sharply fearful voice.
With a hugely mechanical effort he managed to twist low sounds from his
useless lips.
“Just--for a--walk--back--soon.”
Without heeding her protests and questions, he fled down to the
street. Human beings had disappeared, but he could see faces indented
on the fronts of houses. One had a look of mangled suffering; another
was studiously wicked, like a learned burglar; and a third bore the
pathetic leer of a venturesome housemaid. He picked up these details,
glanced at them a moment, and then threw them aside as though they were
scandals from another planet. He passed into a region of three-story
rooming-houses--flat wretches holding an air of patient cowardice.
People surreptitiously filtered from the houses and walked down the
street with Carl--chorus girls with plump, sneaky faces, underworld
hoodlums with an air of wanly etched bravado, ponderously rollicking
servant girls, clerks with the faces of genial mice, and meekly dazed
old men stumping to their dish-washing jobs. To Carl they were also
hurrying after something that had vanished and cajoling their mingled
emptiness and pain with swift motion. Now and then he waved an arm to
them in greeting, while an unearthly smile dug into his face. His
gesture, when observed, was taken for an intended blow and he left
attitudes of fear and pugnacity behind him.
Public-domain text, read in full here on John Shaqi.
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