American fiction -- 20th century; Bohemianism -- Fiction
He crossed a bridge above a narrowly turbid river. The oily lights and
toiling tug-boats were to him an inexplicable affront. Their stillness
and slow motion insulted his passion for speed and with the spite of a
child he looked down at his feet for a stone to throw at them. Finding
a pavement block, he cast it into the river and rushed along, feeling
for a second an exquisite relief. He passed into a crowded theater
and business section. The strained melee of lights and noises became
an intensely sympathetic audience, urging on his race, and the faces
and forms of human beings met in an applauding confusion. With the
cunning of a blind animal, he darted through their ranks and avoided
collisions. Finally he reached another apartment-house region--large
brick boxes without a vestige of expression. “The faces are gone!” he
cried, with a gasping incredulity, as though inanimate things had alone
become real to him. Moonlight, unable to fathom their petty baldness,
clung to them with an attitude of limpid disgust. Thickly contented
families, mild and tightly garnished, issued from the doorways,
trundling to some moving-picture show or ice-cream palace. An aspect of
well-washed and hollow serenity protested against Carl’s direct flight.
Wrapped by this time in a warmly merciful daze, he did not detect the
drably swaying counterfeit of happiness that would have awakened within
him a maniacal response.
He sped down street after street like an inhuman hunter, and came
to rows of wooden houses separated by large fields and blackguarded
by the smoke of nearby factories and mills. An attitude of mildewed
supplication--a beggar rising from ferns and mud--lifted itself over
the scene. Rushing along, he plunged into the open country, where wild
flowers, ditches, and fields of corn pungently conversed with moonlight
in a language too simple and formless for human ears to catch. But
Carl’s ears had become inhuman, and he started a loud talk with the
growing objects around him, revelling in their sympathy and advice. By
this time his long, half-running walk had weakened him and he began
to lurch over the soft earth of the road like a crushed and fantastic
drunkard.
* * * * *
The ingenuous brilliance of a cloudless morning stood hugely over the
green fields and yellowish brown roads and an air of alert innocence
went exploring between the flowers and ditches. Harriet Radler walked
slowly down the country road on her way to the schoolhouse where she
ruled a little band of demons, drudges, minor poets, and clowns. She
lingered along the roadside, sometimes stooping to tear a tiger lily
from the shallow ditch. Slender and short, a pliant virginity twined
itself around her body. Her young face, pink and barely whipped, had
been marked by a tentative sorrow and was hungering for the actual
battle. Her black and white clothes lazily flirted with imps of morning
air and were encouraged by her eyes.
Public-domain text, read in full here on John Shaqi.
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