Blackwood's Edinburgh Magazine, Vol 58, No. 357, July 1845Various
History
Blackwood's Edinburgh Magazine, Vol 58, No. 357, July 1845
Various
England -- Periodicals; Scotland -- Periodicals
He had not the heart to force his letters, so reluctantly resigned, from
her chilly hand. But he held in his what was calculated to inspire pain
quite as poignant. In the fond admiration of her fancy's first object,
she had vehemently longed for a portrait of that rather singular face--a
long oval, with lofty forehead, already somewhat corrugated by habits of
deep thought, in his lonely night-loving existence; its mixture of
passion, dumb poetry, its constitutional or adventitious profound
melancholy, ever present, till his countenance gradually lighted up,
after her coming and her animating discourse, like some deep gloomy
valley growing light as the sun surmounts a lofty bank, gleaming through
its pines. She had forced him to take a piece of money for procuring
this so desired keepsake, and every time they met, she had fondly hoped
to have the little portrait put into her hand. Now, instead, he
presented the unused money--would she retain the image of a sweetheart
in the home of her stern and lordly husband? Her heart confessed that
she must no longer wish for it--but it sunk within her at the thought,
how soon that innocent would be a guilty wish; and when he surprised her
with the money so suddenly, she involuntarily shuddered, forebore to
close her hand upon it, let it slide from her palm, and murmured only
with her innocent plaintiff voice, "I shall never have your picture
now--_never_!" And then she dejected her eyes to the little parcel of
letters, written, received, kissed, and kept, like something holy, so
long in vain; and all the charming hopeful hours in which each was
found, when some longer absence had given to each a deeper interest, and
higher value--those hours never to return, came shadowing over her mind,
memory, and soul, and a lethargy of despairing grief imposed a
ghost-like semblance of calm on her whole figure, and her face slowly
assumed a deadly paleness, even to the lips, visible even by the moon.
David grew alarmed, relapsed into the full fondness of former hours,
folded the dumb, drooping, and agonized young woman in his arms, to his
bosom! without her betraying consciousness, and yet she was not
fainting; she stood upright, and her eyes, though fixed as if glazed,
still expressed love in their almost shocking fixedness.
The young man grew terrified. "Look up! speak to me! Winifred, _dear_
Winifred, my _own_ Winifred, in spite of all!" he broke forth. "Smile at
me, my dearest, once more, and keep these foolish letters you so value,
keep them _all_." And he thrust them into her passive hand.
Aroused by his words and action, poor Winifred, starting with a gasp,
wildly kissed the little packet, and thanked him by an embrace more
passionate than her prudence or modesty would have permitted, had they
been happy.
"And my portrait--my ugliness in paint, and on ivory too, dearest, you
shall have yet, as you desire it," he added, forcing pleasantry; "only
do not fall into that frightful sort of trance again."
Public-domain text, read in full here on John Shaqi.
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