Blackwood's Edinburgh Magazine, Vol 58, No. 357, July 1845Various
History
Blackwood's Edinburgh Magazine, Vol 58, No. 357, July 1845
Various
England -- Periodicals; Scotland -- Periodicals
Happy would he have been to accompany his version of Chaucer with notes.
"But though the version itself has been an agreeable and easy rural
occupation, yet in a remote village, near 250 miles from London, the
very books, _trifling as they may seem_, to which it would be necessary
to refer _to illustrate the manners of the 14th century_, were not to be
procured; and parochial and other engagements would not admit of absence
sufficient to consult them where they are to be found; it is not
therefore for want of deference to the opinions of those who have
recommended a body of notes that they do not accompany these Tales."
Yes--Gulielme, thou wert a jewel.
It is, however, but too manifest from his alleged versions, that not
only did Mr Lipscomb of necessity eschew the perusal of "the books,
trifling as they may seem, to which it would be necessary to refer to
illustrate the manners of the 14th century," but that he continued to
his dying day almost as ignorant of Chaucer's Canterbury Tales as of
Dryden's Fables.
In his preface he tells one very remarkable falsehood. "The Life of
Chaucer, and the Introductory Discourse to the Canterbury Tales, are
taken from the valuable edition of his original works published by Mr
Tyrwhitt." The Introductory Discourse is so taken; but it is plain that
poor, dear, fibbing Willy Lipscomb had not looked into it, for it
contradicts throughout all the statements in the life of Chaucer, which
is not from Tyrwhitt, but clumsily cribbed piecemeal by Willy himself
from that rambling and inaccurate one by a Mr Thomas in Urry's edition.
Lipscomb is lying on our table, and we had intended to quote a few
specimens of him and his predecessor Ogle; but another volume that had
fallen aside a year or two ago, has of itself mysteriously
reappeared--and a few words of it in preference to other "haverers."
Public-domain text, read in full here on John Shaqi.
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