Blackwood's Edinburgh Magazine, Vol. 60, No. 373, November 1846Various
History
Blackwood's Edinburgh Magazine, Vol. 60, No. 373, November 1846
Various
England -- Periodicals; Scotland -- Periodicals
Now, Smith, are you not convinced that it would be the height of folly
to expose yourself to any such unpleasant occurrences? To be sure you
are; and yet there are some dozen of men, no better situated than
yourself, who would barter their ears for the chance of being made such
laughingstocks for life. The innate good sense and fine feeling of the
upper classes, prevents these persons from assuming so extremely false
and ridiculous a position, and yet this consideration is rewarded by the
most foul and malignant abuse. It is high time that these gentlemen
should be brought to their senses, and be taught the real value of
themselves and of their writings. Personally they are objectionable and
offensive--relatively they are bores--and, in a literary point of view,
they have done much more to lower than to elevate the artistic standard
of the age. Their affectation of philanthropy and maudlin sentiment is
too shallow to deceive any one who is possessed of the ordinary
intellect of a man; and in point of wit and humour, which is their
stronghold, the best of them is far inferior to Paul de Kock, whose
works are nearly monopolized for perusal by the _flaneurs_ and the
_grisettes_ of Paris.
Take my advice then, and have nothing to say to the earnest and
oneness-of-purpose men. They are not only weak but wicked; and they will
lead you most lamentably astray. Let us now look a little into your
style, which, after all, is a matter of some importance in a serial.
On the whole, I like it. It is nervous, terse, and epigrammatic--a
little too high-flown at times; but I was fully prepared for that. What
I admire most, however, is your fine feeling of humanity--the instinct,
as it were, and dumb life which you manage to extract from inanimate
objects as well as from articulately-speaking men. Your very furniture
has a kind of automatonic life; you can make an old chest of drawers
wink waggishly from the corner, and a boot-jack in your hands becomes a
fellow of infinite fancy. This is all very pleasant and delightful;
though I think, upon the whole, you give us a little too much of it, for
I cannot fancy myself quite comfortable in a room with every article of
the furniture maintaining a sort of espionage upon my doings. Then as to
your antiquarianism you are perfect. Your description of "the old
deserted stable, with the old rusty harness hanging upon the old decayed
nails, so honey-combed, as it were, by the tooth of time, that you
wondered how they possibly could support the weight; while across the
span of an old discoloured stirrup, a great spider had thrown his web,
and now lay waiting in the middle of it, a great hairy bag of venom, for
the approach of some unlucky fly, like a usurer on the watch for a
spendthrift,"--that description, I say, almost brought tears to my eyes.
The catalogue, also, which you give us of the decayed curry-combs all
clogged with grease, the shankless besoms, the worm-eaten corn-chest,
Public-domain text, read in full here on John Shaqi.
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