The hour approached, however, when, according to the usage of the country, and the relations of her family, Luigia's lot should be decided. Various projects of alliance were discussed. The choice hesitated between two brothers, descended from Giovanni de' Medici, a branch from the dominant house, and of that which took the name of its individual ancestor, Lorenzo. The latter, brother of Cosmo, Pater Patriæ, had, by Ginevra Cavalcanti Piero Francesco, to whom his wife, Landomia Acciajuoli, brought two sons, Lorenzo and Giovanni. Both had arrived at the age of maturity, and were reckoned among the most considerable citizens of Florence. The marriage, however, did not take place. It is said that Luigia herself prevented its conclusion, until a misunderstanding, caused by some opposition of interests, had definitely separated Pietro from the two brothers, more especially from Giovanni, upon whom the reigning prince appears principally to have reckoned. Others, however, have supposed that the obstacles to the proposed union arose only on the part of Giovanni and his brother, who, in fact, followed the principal citizens in the opposition, then planned, against Pietro's unskilful administration. And last, it has been asserted, that Luigia was betrothed to Giovanni, but died before the time fixed for the marriage. Among these opinions, Litta appears to incline to the second; Roscoe adopts the last. However it may be, it is only certain that, alone of all Lorenzo's daughters, Luigia left the paternal house but to exchange it for the repose of the tomb. According to the historians, she died a few days before the catastrophe which overturned Pietro's government, and condemned all the descendants of Cosmo l'Antico to an exile of sixteen years. It was consequently late in the autumn of 1494 that Luigia departed this life. Amid the passionate prejudices which prepared, and the convulsions which followed, the Florentine revolution, the extinction of the beauteous light excited no sensation. Michel Angelo was not at that moment in Florence. Politiano's death seems to have broken the last ties that attached him to the obligations contracted in his early youth. His penetrating intelligence warned him of the coming fall of the Medici. He neither wished to renounce his ancient attachments, nor to give them the predominance over the duties of a citizen, to a free state, which it was of the highest importance to wean from a blind and dangerous course. In this painful alternative, Michel Angelo determined to withdraw for a time. He went first to Venice, and afterwards to Bologna, where the warm reception of the Aldrovandi kept him during an entire year, and even longer. According to all appearance, on quitting Florence, Buonarotti was aware of Luigia's declining health; and his poetry shows us the courageous artist sinking under the burden of his melancholy presentiments:--