renewed these in all their pristine freshness. We remember to have encountered, in a neglected foreign gallery, an ancient picture of a criminal in the hands of torturers. The subject was a painful one, and yet the painting provoked a smile. Some wandering brother of the brush, some mischievous and idly-industrious TINTO, had beguiled his leisure by transmogrifying the costumes both of victim and executioners, converting the ancient Spanish garb into the stiff and unpicturesque apparel of the present day. The vault in which the cruel scene was enacted, remains in all its gloomy severity of massive pillars, rusty shackles, and cobwebbed walls; the grim unshapely instruments of torture were there; the uncouth visages of the executioners, the agonised countenance of the sufferer, were unaltered. But, contrasting with the antique aspect and time-darkened tints of these details, were the vivid colouring and modern fashions of Parisian _paletots_, trim pantaloons, and ball-room waistcoats. We have been irresistibly reminded of this defaced picture by the recent events in Spain. They appear to us like a page from the history of the middle ages transported into our own times. The daring and unprincipled intrigue whose _dénoûment_ has just been witnessed, is surely out of place in the nineteenth century, and belongs more properly to the days of the Medicis and the Guise. A review of its circumstances affords the elements of some romantic history of three hundred years ago. At night, in a palace, we see a dissolute Italian dowager and a crafty French ambassador coercing a sovereign of sixteen into a detested alliance. The day breaks on the child's tearful consent; the ambassador, the paleness of his vigil chased from his cheek by the flush of triumph, emerges from the royal dwelling. Quick! to horse!--and a courier starts to tell the diplomat's master that the glorious victory is won. A few days--a very few--of astonishment to Europe and consternation to Spain, and a French prince, with gay and gallant retinue, stands on the Bidassoa's bank and gazes wistfully south-wards. Why does he tarry; whence this delay? He waits an escort. Strange rumours are abroad of ambuscade and assassination; of vows made by fierce guerillas that the Infanta's destined husband shall never see Madrid. At last the escort comes. Enclosed in serried lines of bayonets and lances, dragoons in van, artillery in rear, the happy bridegroom prosecutes his journey. What is his welcome? Do the bright-eyed Basque maidens scatter flowers in his path and Biscay's brave sons strain their stout arms to ring peals in his honour? Do the poor and hardy peasantry of Castile line the highway and shout _vivas_ as he passes? Not so. If bells are rung and flowers strewn, it is by salaried ringers and by women hired, not to wail at a funeral, but to celebrate a marriage scarcely more auspicious. If hurrahs, few and faint, are heard, those who utter are paid for them.