All these characteristic signs and changes will meet the eye of the
tourist if he even go no farther than the confines of the Rhine, and the
old city of Cologne. There at once is that depression visible to which
allusion has already been made. It is visible in the aspect of the
fallen half-ruined shopkeeper, of the disconsolate master of the hotel,
and, above all, of the anxious labourer upon the progress of that mighty
work, the completion of which evil times seem again to render an
impossible task—the Cologne cathedral. Funds for the further progress of
the great undertaking already begin to fail; and these are not times to
seek them from the munificence either of states or private individuals.
The _Baumeister_, who has spent the greater part of a life upon the
wonderful task of working out the completion of this miracle of Gothic
art,—whose whole soul has been concentrated upon this one object,—the
breath of whose very existence seems to depend upon the growth of this
foster-child of his fancy, for which alone he has lived,—now shakes his
head, like the consumptive man whose presentiments tell him that his
last hour is nigh, and who despairs of escaping his doom. The
revolutionary wind has blown like the plague-blast over the land: he
feels that his hand must soon fall powerless before the neglect, or even
ill-will of the newborn age of revolutionary liberty, and that he must
disperse abroad that band of artist-workmen whom he has fashioned and
educated to the noble work, and whom, in their completeness of artistic
intelligence, none perhaps, in future years, may be able again to
collect together. The cathedral, however, has proceeded to a certain
point, at which the whole interior may be enclosed; and there, in all
probability, the progress of the works will be checked for the present.
The consecration of the new part of the building, in this state, has
already taken place; but, even in these ceremonies, the revolutionary
modern spirit of Germany has not forgotten to assert its influence: the
deputation sent to them by the Prussian Assembly refused to join to
itself a Catholic ecclesiastic; and yet it was seriously proposed at the
same time, by the arrangers of the ceremonial _programme_, that the
monarchs who were expected to be present upon the occasion should mount
upon the roof of the cathedral, and there take an oath to preserve the
unity of Germany, which oath was to be blessed and ratified by the Pope,
who was to be invited to come over to Cologne for the purpose. The Pope
has had other deeds and other revolutionary tendencies to bless or to
ban in his own dominions; but this little trait, culled from the first
_programme_ of the consecration of the Cologne cathedral, may be taken,
at the same time, as a slight specimen of the wild poetico-political
freaks of theoretically revolutionising Germany.
Public-domain text, read in full here on John Shaqi.
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