One mode of escape suggests itself, and we do not hesitate to recommend it. Let every man who underlies the terror of the _peine forte et dure_, compile his own autobiography at the ripe age of forty-five. Few people, in this country, begin to establish a permanent reputation before thirty; and we allow them fifteen years to complete it. Now, supposing your existence should be protracted to seventy, here are clear five-and-twenty years remaining, which may be profitably employed in autobiography, by which means you secure three vast advantages. In the first place, you can deal with your own earlier history as you please, and provide against the subsequent production of inconvenient documents. In the second place, you defeat the intentions of your excellent friend and gossip, who will hardly venture to start his volumes in competition with your own. In the third place, you leave an additional copyright as a legacy to your children, and are not haunted in your last moments by the agonising thought that a stranger in name and blood is preparing to make money by your decease. It is, of course, unnecessary to say one word regarding the general tone of your memoirs. If you cannot contrive to block out such a fancy portrait of your intellectual self as shall throw all others into the shade, you may walk on fearlessly through life, for your biography never will be attempted. Goethe, the most accomplished literary fox of our age, perfectly understood the value of these maxims, and forestalled his friends, by telling his own story in time. The consequence is, that his memory has escaped unharmed. Little Eckermann, his amanuensis in extreme old age, did indeed contrive to deliver himself of a small Boswellian volume; but this publication, bearing reference merely to the dicta of Goethe at a safe period of life, could not injure the departed poet. The repetition of the early history, and the publication of the early documents, are the points to be especially guarded.