all cases, it is at once natural and profitable to make. A peculiar
interest arises from the unusual diversity of the matter, and the
familiarity of the writers with the bounds which they describe.
It is a useful work, and will continue long to be so, in as many
ways as it throws light upon the condition of the country--and,
not least, in the local improvements to which its suggestions may
give rise. But, if its uses were less than they are, it would still
leave an impression of respect for the general intelligence and the
readiness to employ their opportunities for the public good, which
its authors have known to unite with exemplary devotion to the
duties of their calling.
THE POETRY OF SACRED AND LEGENDARY ART.
_The Poetry of Sacred and Legendary Art._ By Mrs JAMESON.
We are of the belief that art without poetry is worthless--dead,
and deadening; or, if it have vitality, there is no music in its
speech--no command in its beauty. We treat it with a kind of
contempt, and make apology for the pleasure it has afforded. _Sacred
and Legendary Art!_ How different--how precious--how life-bestowing!
The material and immaterial world linked, as it were, together by
a new sympathy, working out a tissue of beautiful ideas from the
golden threads of a Divine revelation! By _Sacred and Legendary Art_
is meant the treatment of religions subjects, commencing with the
Old Testament, and terminating in traditionary tales and legends. It
is from the latter that the old painters have, for the most part,
taken that rich poetry, which, glowing on the canvass, shows, even
amidst the wild errors of fable, a truth of sentiment belonging to a
purer faith.
Public-domain text, read in full here on John Shaqi.
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