cross, and they rose up whole and well. The people who witnessed this great wonder were struck with astonishment; and the three children, who were the sons of a poor widow, were restored to their weeping mother." But what shall we say to an entire new saint of a modern day, who has already found his way to Venice, Bologna, and Lombardy,--even to Tuscany and Paris, not only in pictures and statues, but even in chapels dedicated to her? The reader may be curious to know something of a saint of this century. In the year 1802 the skeleton of a young female was discovered in some excavations in the catacomb of Priscilla at Rome; the remains of an inscription were, "Lumena Pax Te Cum Tri." A priest in the train of a Neapolitan prelate, who was sent to congratulate Pius VII. on his return from France, begged some relics. The newly-discovered treasure was given to him, and the inscription thus translated--"Filomena, rest in peace." "Another priest, whose name is suppressed _because of his great humility_, was favoured by a vision in the broad noonday, in which he beheld the glorious virgin Filomena, who was pleased to reveal to him that she had suffered death for preferring the Christian faith, and her vow of chastity, to the addresses of the emperor, who wished to make her his wife. This vision leaving much of her history obscure, a certain young artist, whose name is also suppressed--perhaps because of his great humility--was informed in a vision that the emperor alluded to was Diocletian; and at the same time the torments and persecutions suffered by the Christian virgin Filomena, as well as her wonderful constancy, were also revealed to him. There were some difficulties in the way of the Emperor Diocletian, which inclines the writer of the _historical_ account to adopt the opinion that the young artist in his vision _may_ have made a mistake, and that the emperor may have been his colleague, Maximian. The facts, however, now admitted of no doubt; and the relics were carried by the priest Francesco da Lucia to Naples; they were inclosed in a case of wood, resembling in form the human body. This figure was habited in a petticoat of white satin, and over it a crimson tunic, after the Greek fashion; the face was painted to represent nature; a garland of flowers was placed on the head, and in the hands a lily and a javelin--with the point reversed, to express her purity and her martyrdom; then she was laid in a half sitting posture in a sarcophagus, of which the sides were glass; and after lying for some time in state, in the chapel of the Torres family in the Church of Saint Angiolo, she was carried in procession to Magnano, a little town about twenty miles from Naples, amid the acclamations of the people, working many and surprising miracles by the way. Such is the legend of St Filomena, and such the authority on which she has become, within the last twenty years, one of the most fashionable saints in Italy.