Blackwood's Edinburgh Magazine, Vol. 66 No.406, August 1849Various
General
Blackwood's Edinburgh Magazine, Vol. 66 No.406, August 1849
Various
England -- Periodicals; Scotland -- Periodicals
Two weeks, since the date of the preceding chapter, have passed; we
have slept our last, for long years to come, on the English soil. It is
night; and Vivian has been admitted to an interview with his father.
They have been together alone an hour and more, and I and my father
will not disturb them. But the clock strikes--the hour is late--the
ship sails to-night--we should be on board. And as we two stand below,
the door opens in the room above, and a heavy step descends the stairs;
the father is leaning on the son's arm. You should see how timidly the
son guides the halting step. And now, as the light gleams on their
faces, there are tears on Vivian's cheek; but the face of Roland seems
calm and happy. Happy! when about to be separated, perhaps for ever,
from his son? Yes, happy! because he has found a son for the first
time; and is not thinking of years and absence, and the chance of
death--but thankful for the Divine mercy, and cherishing celestial
hope. If ye wonder why Roland is happy in such an hour, how vainly have
I sought to make him breathe, and live, and move before you!
* * * * *
We are on board; our luggage all went first. I had had time, with the
help of a carpenter, to knock up cabins for Vivian, Guy Bolding, and
myself in the hold. For, thinking we could not too soon lay aside the
pretensions of Europe--"_de_-fine-gentlemanise" ourselves, as Trevanion
recommended--we had engaged steerage passage, to the great humouring of
our finances. We had, too, the luxury to be by ourselves, and our own
Cumberland folks were round us, as our friends and servants both.
We are on board, and have looked our last on those we are to leave,
and we stand on deck leaning on each other. We are on board, and the
lights, near and far, shine from the vast city; and the stars are on
high, bright and clear, as for the first mariners of old. Strange
noises, rough voices, and crackling cords, and here and there the sobs
of women, mingling with the oaths of men. Now the swing and heave of
the vessel--the dreary sense of exile that comes when the ship fairly
moves over the waters. And still we stood, and looked, and listened;
silent, and leaning on each other.
Night deepened, the city vanished--not a gleam from its myriad lights!
The river widened and widened. How cold comes the wind!--is that a
gale from the sea? The stars grow faint--the moon has sunk. And now,
how desolate look the waters in the comfortless gray of dawn! Then we
shivered and looked at each other, and muttered something that was not
the thought deepest at our hearts, and crept into our berths--feeling
sure it was not for sleep. And sleep came on us soft and kind. The
ocean lulled the exiles as on a mother's breast.
JONATHAN IN AFRICA.[6]
Public-domain text, read in full here on John Shaqi.
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