Blackwood's Edinburgh Magazine, Vol. 66 No.406, August 1849Various
General
Blackwood's Edinburgh Magazine, Vol. 66 No.406, August 1849
Various
England -- Periodicals; Scotland -- Periodicals
absurd paragraph, we believe, to try a friend's memory; Mr Melville
has evidently written his unintelligible novel to try the public's
patience. Of three things we are certain, namely, that the Panjandrum
story is quite as easy to understand as _Mardi_; that it is much more
diverting; and, the chief advantage of all, an infinite deal shorter.
[6] _Kaloolah, or Journeyinqs to the Djébel Kumri: an Autobiography of
Jonathan Romer._ Edited by W. S. MAYO, M.D. London: 1849.
_Mardi_, which we dismissed from our mind when we closed it with a yawn
a day or two after its publication, has been recalled to our memory
by another book, also proceeding from America, although published in
London; and which, like Mr Melville's romance, blends the real and
the possible with the ideal and the fantastic. _Kaloolah_ (Heaven
help these Yankee nomenclators) professes to be the autobiography of
Jonathan Romer, a young Nantucket sailor, to whose narrative, during
his absence in the interior of Africa, one of his countrymen, Dr W.
S. Mayo, obligingly acts as editor. Most readers will probably be
of opinion that the American M.D. might claim a nearer interest in
the literary bantling--the first-born, we apprehend, of his own pen
and imagination. But our business is with the book, and not with the
author, whose name, whether Romer or Mayo, is as yet unknown to fame,
but who need not despair of achieving reputation. _Kaloolah_ combines
with certain faults, which may presently be indicated, some very
excellent qualities, and has several chapters, whereof any one contains
more real good stuff, and ingenuity, and amusement, than the whole of
the second and third volumes of _Mardi_, reduced to a concentrated
essence. Besides, it is manifest that the two books must be viewed
and judged differently--one as a first, and by no means unpromising
attempt; the other, as the backsliding performance of a man who has
proved himself capable of far better things.
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