"A translation worthy of a romance writer," said the antiquary. "You believe then in the devil, in compact with evil spirits, in absurd legends invented by ignorance and superstition amidst the evening gossip of our peasants? You believe that, in 1718, a parish priest of Guérande flew away into the air, after having redeemed the soul of this Jean Capello. You are very credulous, M. le Parisien. This Venetian, who came here but to die, was simply poisoned by the priest, who took to flight; the town doctor, having opened the body, found traces of the poison. That is why they engraved upon the tomb these syllables: _Ars. Inf._, which signify _arsenici infusio_, an infusion of arsenic. I will offer you another interpretation--Jean Capello was perhaps a salt-maker, killed by some accident in our salt-works, and as in 1718 labourers of that class were very miserable, they engraved upon this stone, to express the humility of his station, _Ars. Inf._, that is to say, inferior craft." "Upon my word!" I exclaimed, "that explanation is perfectly absurd. I keep to the popular version: Jean le Trouveur was sent to heaven by the stratagems of the demon himself. Let sceptics laugh at my superstition, I shall not quarrel with them for their incredulity." We see little else worthy of extract or comment in the mass of books before us. M. Méry, whose extraordinary notions of English men and things we exhibited in a former article, has given forth a rhapsodical history, entitled _Le Transporté_, beginning with the Infernal Machine, and ending with Surcouf the Pirate, full of conspiracies, dungeons, desperate sea-fights, and tropical scenery, where English line-of-battle ships are braved by French corvettes, and where the transitions are so numerous, and the variety so great, that we may almost say everything is to be found in its pages, except probability. Mr Dumas the younger, who follows at respectful distance in his father's footsteps, and publishes a volume or two per month, has not yet, so far as we have been able to discover, produced anything that attains mediocrity. M. Sue has dished up, since last we have adverted to him, two or three more capital sins, his illustrations of which are chiefly remarkable for an appearance of great effort, suggestive of the pitiable plight of an author who, having pledged himself to public and publishers for the production of a series of novels on given subjects, is compelled to work out his task, however unwilling his mood. This is certainly the most fatal species of book-making--a selling by the cubic foot of a man's soul and imagination. Evil as it is, the system is largely acted upon in France at the present day. Home politics having lost much of the absorbing interest they possessed twelve months ago, the Paris newspapers are resorting to their old stratagems to maintain and increase their circulation. Prominent amongst these is the holding out of great attractions in the way of literary feuilletons.