Blackwood's Edinburgh Magazine, Vol. 66, No 409, November 1849Various
History
Blackwood's Edinburgh Magazine, Vol. 66, No 409, November 1849
Various
England -- Periodicals; Scotland -- Periodicals
A bold, bad woman--not a Fiend. I ask--Did she, or did she not, "with
violent hand foredo her life?" They mention it as a rumour. The Doctor
desires that all means of self-harm may be kept out of her way. Yet
the impression on us, as the thing proceeds, is, that she dies of pure
remorse--which I believe. She is _visibly dying_. The cry of women,
announcing her death, is rather as of those who stood around the bed
watching, and when the heart at the touch of the invisible finger
stops, shriek--than of one after the other coming in and finding
the self-slain--a confused, informal, perplexing, and perplexed
proceeding--but the Cry of Women is formal, regular for the stated
occasion. You may say, indeed, that she poisoned herself--and so died
in bed--watched. Under the precautions, that is unlikely--too refined.
The manner of Seyton, "The Queen, my Lord, is dead," shows to me that
it was hourly expected. How these few words would _seek_ into you, did
you first read the Play in mature age! She died a natural death--of
remorse. Take my word for it--the rumour to the contrary was natural to
the lip and ear of Hate.
TALBOYS.
A question of primary import is--What is the relation of feeling
between him and her? The natural impression, I think, is, that the
confiding affection--the intimate confidence--is "there"--of a husband
and wife who love one another--to whom all interests are in common,
and are consulted in common. Without this belief, the Magic of the
Tragedy perishes--vanishes to me. "My dearest love, Duncan comes
here to-night." "Be innocent of the knowledge, _dearest Chuck_"--a
marvellous phrase for Melpomene. It is the full union--for ill
purposes--that we know habitually for good purposes--that to me tempers
the Murder Tragedy.
NORTH.
Yet believe me, my dear Talboys--that of all the murders Macbeth may
have committed, she knew beforehand but of ONE--Duncan's. The haunted
somnambulist speaks the truth--the whole truth, and nothing but the
truth.
TALBOYS.
"The Thane of Fife had a Wife." Does not that imply that she was privy
to _that_ Murder?
NORTH.
No. Except that she takes upon herself _all_ the murders that are the
offspring, legitimate or illegitimate, of that First Murder. But we
_know_ that Macbeth, in a sudden fit of fury, ordered the Macduffs to
be massacred when on leaving the Cave Lenox told him of the Thane's
flight.
TALBOYS.
That is decisive.
NORTH.
A woman, she feels for a murdered woman. That is all--a touch of
nature--from Shakspeare's profound and pitiful heart.
TALBOYS.
"The Queen, my lord, is dead." "She should have died hereafter; There
would have been a time for such a word"--Often have I meditated on the
meaning of these words--yet even now I do not fully feel or understand
them.
NORTH.
Nor I. This seems to look from them--"so pressed by outward besiegings,
I have not capacity to entertain the blow as it requires to be
entertained. With a free soul I could have measured it. Now I cannot."
TALBOYS.
Public-domain text, read in full here on John Shaqi.
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