Blackwood's Edinburgh Magazine, Vol. 66, No 409, November 1849Various
History
Blackwood's Edinburgh Magazine, Vol. 66, No 409, November 1849
Various
England -- Periodicals; Scotland -- Periodicals
"It was when the ship had rolled to windward; which, with the long
projection of the yard-arm over the side, made him strike far out
upon the water. His fall was seen by the whole upward-gazing crowd
on deck, some of whom were spotted with the blood that trickled
from the sail, while they raised a spontaneous cry, so shrill
and wild, that a blind man might have known something deadly had
happened.
"Clutching our reef-points, we hung over the stick, and gazed down
to the one white, bubbling spot, which had closed over the head of
our shipmate; but the next minute it was brewed into the common
yeast of the waves, and Jackson never arose. We waited a few
moments, expecting an order to descend, haul back the foreyard,
and man the boat; but instead of that, the next sound that greeted
us was, 'Bear a hand, and reef away, men!' from the mate."
If it be possible (we are aware that it is very difficult) for an
author to form a correct estimate of his own productions, it must
surely have struck Mr Melville, whilst glancing over the proof-sheets
of _Redburn_, that plain, vigorous, unaffected writing of this sort
is a far superior style of thing to rhapsodies about Italian boys and
hurdy-gurdies, to gairish descriptions of imaginary gambling-houses,
and to sentimental effusions about Harry Bolton, his "Bury blade,"
and his "Zebra," as he called him--the latter word being used, we
suppose, to indicate that the young man was only one remove from a
donkey. We can assure Mr Melville he is most effective when most simple
and unpretending; and if he will put away affectation and curb the
eccentricities of his fancy, we see no reason for his not becoming a
very agreeable writer of nautical fictions. He will never have the
power of a Cringle, or the sustained humour and vivacity of a Marryat,
but he may do very well without aspiring to rival the masters of the
art.
_Redburn_ is not a novel; it has no plot; the mysterious visit to
London remains more or less an enigma to the end. But having said so
much about Harry Bolton, the author deems it expedient to add a tag
touching the fate of this worthy, whom Redburn left in New York; in
charge of a friend, during his own temporary absence, and who had
disappeared on his return. For years he hears nothing of him, but then
falls in, whilst on a whaling cruise in the Pacific, with an English
sailor, who tells how a poor little fellow, a countryman of his, a
gentleman's son, and who sang like a bird, had fallen over the side of
a Nantucket craft, and been jammed between ship and whale. And this is
Harry Bolton. A most lame and impotent conclusion, and as improbable a
one as could well be devised, seeing that a sailor's life was the very
last the broken down gambler was likely to choose, after his experience
of his utter incapacity for it, and after the persecution and torments
he had endured from his rude shipmates on board the Highlander.
Public-domain text, read in full here on John Shaqi.
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