We are told that at Dublin University Goldsmith manifested great
repugnance to the study of mathematics. The conduct towards him of the
mathematical tutor did not tend to diminish this aversion. In one of his
miscellaneous essays, he thus revenges himself on the science and on its
professors:—
“A youth incapable of retaining one rule of grammar, or of acquiring
the least knowledge of the classics, may nevertheless make great
progress in mathematics; _nay, he may have a strong genius for the
mathematics without being able to comprehend a demonstration of
Euclid_; because his mind conceives in a peculiar manner, and is so
intent upon contemplating the object in one particular point of
view, that it cannot perceive it in any other. We have known an
instance of a boy who, while his master complained that he had not
capacity to comprehend the properties of a right-angled triangle,
had actually, in private, by the power of his genius, _formed a
mathematical system of his own_; discovered a series of curious
theorems, and even applied his deductions to practical machines of
surprising construction.”—_Essay on Taste._
But although Goldsmith could commit the most surprising blunders when he
invades the region of abstract or severe reasoning, yet the credit must
be given to him of _thinking for himself_. With undisciplined powers,
and but slenderly equipped for the task, we still see him engaging in
the solution of social and political problems. He does not merely repeat
from books the ideas of others; nor is he a thoughtless spectator of the
world. One subject especially our homeless wanderer, who had looked up
at society from the last round of the ladder, is frequently observed to
be canvassing. His opinions on it are far from settled; his conclusions
are often diametrically opposed; his reasonings never very clear; but he
is, at all events, seen from time to time pondering it with great
interest. It is the subject of luxury—the gratifications and pleasures
of the wealthy in a state of civilisation. The rule admits of
exceptions; but, in general, he condemns luxury in his poetry, and
defends it in his prose. In neither case is he very successful in his
reasonings. When he assails, he appears to be under the influence of a
mere sentiment; when he defends it, he seems to be dealing with a
half-learned philosophy, and such as is generally understood to be
rather a native of France than of England.
Public-domain text, read in full here on John Shaqi.
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