So far, then, from the hoard of happiness being small, every country
proclaims itself to be specially and pre-eminently blest. The
philosophic poet has no reason for his sorrow: he wanted one happy spot,
and he has found every spot is happy—supremely happy.
But the apparent incongruity vanishes on a closer examination. Each
nation boasts its pre-eminence over other nations; but man nowhere
boasts much of being man. Every people is proud and self-congratulatory
whilst it compares itself with other people; but its pride and
gratulation are only sustained by this comparison. Every congregation of
men who merely contemplate themselves as with the earth beneath them,
and the sky above, are heard to fill the air with lamentations and
discontent. So that the philosopher, notwithstanding these several
vaunts of every nation, civilised and savage, may still search, if he
thinks fit, for the spot “to happiness consigned.”
Our poet seems to find an equal proportion of good and evil in every
clime, people, and government. Sometimes he is guilty of a little
overcharge in this or that particular, in order to keep the balance
even. Only thus can we account for the very severe language with which
he takes leave of Holland. He had found the people of that country so
very comfortable that it was absolutely necessary to abuse them as—
“A land of tyrants and a den of slaves,”
or the due proportion of evil would not have been preserved.
It is observable, and characteristic of the age in which Goldsmith
wrote, that, beautiful as are his descriptions of the several countries
of Europe, there is very little in them which betrays that he himself
had ever visited those countries. There are few of those picturesque
circumstances which the eye of an observer detects, and which the
memory, or the note-book, preserves. Unfortunately, it was the habit of
the day to trust more to the knowledge acquired from books than to the
eyesight: _learning_ had not lost that undue influence which it
naturally acquired at the restoration of letters; poets chose rather to
describe what had been described before, and adhere to traditional
feelings and classical models, than to consult their own experience. The
descriptions of scenery in _The Traveller_ are so general, and consist
of broad outlines so well known to all educated men, that they might
have been written in Green Arbour Court, by one who had lived there all
his life. Switzerland itself does not provoke him to quit the beaten
track of broad generalities. He even describes what he did _not_ see,
because it harmonises with the ideas obtained from books. Thus,—
—“The bleak Swiss their stormy mansion tread,
And force a churlish soil for scanty bread;
No produce _here_ the barren hills afford,
But man and steel, the soldier and his sword.”
Public-domain text, read in full here on John Shaqi.
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