But why continue the quotation, when half our readers could complete it
from their own memory?
We proposed to ourselves a glance at _The Citizen of the World_ and _The
Vicar of Wakefield_. It can only be a glance.
Is this really the same—we are tempted to ask ourselves—is this really
the same _Citizen of the World_ that, on our first introduction to the
acquaintance of books, we read, amongst the _British Essayist_, with so
grave attention, and so implicit a faith? Yes, it is the same; for here
is the Man in Black, and here is the unmistakeable Beau Tibbs. Can we
possibly forget the invitation to dinner—on the first floor down the
chimney—something elegant, a turbot or an ortolan, which finally
resolves itself into “a nice little piece of ox-cheek, piping hot, which
Mrs Tibbs shall dress herself with that sauce the Duke dotes upon,”—and
which dinner, if his hungry guest will but wait, shall be “ready in at
least two hours.” Yes, here is Beau Tibbs as full of life as ever. But
the Chinese philosopher—he is gone;—there is left of _him_, or of China,
nothing but his name, and the suspicious name of his correspondent,
“Fum, the son of Fo.” Instead thereof, we have Oliver Goldsmith writing
his series of clever _Idlers_ and _Spectators_.
Pity this Chinaman ever made his appearance. All the humour and satire
of the piece might have been preserved, if some simple Englishman, some
Parson Adams or Dr Primrose, had been the writer of the letters; and we
should have been spared the constant incongruity of a Chinese who is not
only a palpable European, but a European of the literary class. So
completely versed is this Chinese philosopher in the feuds and vexations
of critics and authors, that we must suppose him commissioned by the
Grub Street of Pekin, to inquire into the condition of distressed poets
and discontented playwrights amongst the “outer barbarians.” We should
have been spared also those episodes, or adventures, which _his_ Eastern
correspondents detail to him, and which, indeed, are neither European
nor Eastern, but very tedious stories.
In vain does the Chinaman assume the prejudices of his country: he may
amuse us; but he cannot even get a momentary credit for the outlandish
taste he affects. He cannot disparage the beauty of Englishwomen,
without insinuating his praise of them. There is as much flattery as
abuse, when he says:—
“I shall never forget the beauties of my native city of Nanfew. How
very broad their faces! how very short their noses! how very little
their eyes! how very thin their lips! how very black their teeth. Here
a lady with such perfections would be frightful: Dutch and Chinese
beauties, indeed, have some resemblance, but Englishwomen are entirely
different; red cheeks, big eyes, and teeth of a most odious whiteness,
are not only seen here, but wished for; and then they have such
masculine feet, as actually serve some for walking.”
Public-domain text, read in full here on John Shaqi.
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