Blackwood's Edinburgh Magazine, Vol. 67, No. 416, June 1850Various
General
Blackwood's Edinburgh Magazine, Vol. 67, No. 416, June 1850
Various
England -- Periodicals; Scotland -- Periodicals
By assiduous application during the whole of that day, I knew my part
pretty well when the hour of rehearsal came. On reaching the palace,
I was conducted to one of the wings, where a small but very complete
theatre was fitted up. The marshal of the household, who received
me with the most courteous attention, played Baron Wildenhain; his
lady was Wilhelmina Bottger; the humorous part of the butler was
worthily filled by my boar-hunting friend of the previous day. The
other male characters had all found very tolerable representatives,
with the exception of the important one of Count Von der Mulde, which
was taken by a young secretary who had scarcely set foot over the
boundary of the duchy, and who, strive as he might, was but a tame
and inefficient representative of the mincing Frenchified fop. The
morrow being the duke's birthday, there was time but for this one
rehearsal, which was therefore to be gone through in full dress. A
costume awaited me, and I flattered myself I made a most reverend and
imposing appearance in my priestly sables. My next concern was to
know who took the character of the baron's daughter, the sprightly
and innocent Amelia, with whom my own part was so closely linked. I
conjectured it would be the marshal's daughter, but did not choose
to ask. Great indeed was my surprise when, in the second act, the
Princess Theresa made her entrance in a morning dress of exquisite
elegance and freshness, and, in the character of Amelia, tripped and
prattled, with natural and enchanting grace, through the scene where
the baron sounds his daughter respecting Count Von der Mulde. With
lightning swiftness the tender scenes I should have to play with her
flashed across my memory, and drove every drop of blood to my heart.
It was fortunate I was not then required on the stage, for I should
have been unable to remember or utter a word. During that and the
following scene, however, I had time to recover my composure; and
when I at last went on for an interview with the father, I quickly
glided into the spirit of my part, and acquitted myself well enough.
Soon I found myself alone on the stage with Amelia, with the task
set me to expose and explain to her the joys and sorrows of wedlock,
and then her admirable acting and my feelings towards her converted
the dramatic fiction into gravest reality--so far, at least, as I
was concerned. When she so innocently and artlessly confessed her
love, when she placed her hand in mine to move me to an avowal of
affection, when I felt the pressure of her delicate fingers, it was
all I could do to adhere to the letter of my part, and not avow in
earnest the passion I was to appear to repress and conceal. With
what seductive simplicity did she deliver the passage, "Long have
I wondered what made my heart so full; but now I know; 'tis here!"
And as she spoke, her bosom rose and fell beneath its covering of
snow-white muslin. "Lady!" I exclaimed, and never were words more
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