Blackwood's Edinburgh Magazine, Vol. 67, No. 416, June 1850Various
General
Blackwood's Edinburgh Magazine, Vol. 67, No. 416, June 1850
Various
England -- Periodicals; Scotland -- Periodicals
I passed the whole of the next morning studying my part, and it
was afternoon before I again met the accomplished stranger. With
a pleasant smile, and easy, self-satisfied air, he told me he had
settled everything, and should have the honour of appearing that
evening as my unsuccessful rival for the hand of the fair Amelia
Wildenhain. He had procured an introduction to the marshal, (he did
not say through whom,) and that nobleman, delighted to recruit an
efficient actor in lieu of a stop-gap, had proposed calling a morning
rehearsal; but this the new representative of Von der Mulde declared
to be quite unnecessary. He was perfectly familiar with the part, and
undertook not to miss a word.
The hour of performance came. The little theatre was thronged with
Klein-Fleckenbergers, noble and gentle, from country and town.
The duke and duchess made their appearance, and were greeted by a
flourish of trumpets, whilst the audience rose in a body to welcome
them. Count Von der Mulde dressed at the hotel, and did not appear in
the greenroom till towards the close of that portion of the play in
which he had nothing to do. In the fifth scene of the second act he
made his entrance, and almost embarrassed Wildenhain and Amelia by
the great spirit and naturalness of his acting. Kotzebue himself can
hardly have conceived the part more vividly and characteristically
than the stranger rendered it.
"I have scarcely recovered myself yet, dear Mr Ehrmann," said the
Princess Theresa to me, between the acts. "The count quite frightened
me. I could not help fancying it was the real Von der Mulde."
The completeness of the illusion was undeniable. The jests of the
portly boar-hunter, in the part of the butler, passed unperceived,
amidst the admiration excited by the count, who bewailed the
pomatum-pot, forgotten by his servant, as though it were his best
friend he had been compelled to leave behind, and whose eyes actually
glistened with tears as he whined forth his apprehensions that
unsavoury German mice would devour the most delicate perfume France
had ever produced. The question passed round, amongst actors and
audience, who this admirable performer was, and the duke himself sent
behind the scenes to make the inquiry. "A Livonian gentleman," was
the reply, "who would shortly have the honour to pay his respects to
his highness."
Public-domain text, read in full here on John Shaqi.
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