Books of travel in the region which modern tourists particularly designate as "the East," and which may be considered to comprise Turkey, Syria, and Egypt, do not, as a class, very forcibly challenge our sympathy and criticism. The best horse may be ridden to death; and no country, however rich in associations and peculiar in its characteristics, however remarkable in configuration and interesting by its traditions, can yield continual fresh pastures to literary travellers, when they descend upon it like a swarm of locusts instead of dropping in at reasonable intervals. Time must be allowed for change and reproduction, or repetition and exhaustion will be the inevitable result. The East, moreover, as a theme for book-wrights, has not only been overdone, but, in many instances, very badly done. People have gone thither with the preconceived idea of publishing, on the strain for the marvellous, the romantic, and the picturesque; and, disdaining the common-sense course of setting down what they saw and giving their real and natural impressions, they have gilt and embellished, like a coach-painter at a sheriff's carriage, till they forced upon us the conviction that they cared more for glitter than for truth. Some, piquing themselves on diplomatic acumen, have filled their volumes with politics, and settled all manner of Eastern questions much to their own satisfaction, and greatly to the weariness of their readers; and these form perhaps the most intolerable of the many classes into which Oriental travellers are subdivisible, but which we shall not here further enumerate, preferring to turn to the examination of the latest Eastern tour that has issued from the English press and found its way to our critical sanctum.