Blackwood's Edinburgh Magazine, Vol. 67, No. 416, June 1850Various
General
Blackwood's Edinburgh Magazine, Vol. 67, No. 416, June 1850
Various
England -- Periodicals; Scotland -- Periodicals
"The position of an actress," says a clever French theatrical
critic, in a pamphlet already quoted, "is a very singular
one, even in these days, when prejudice is supposed to have
disappeared. She is a mark for applause and adulation, for gold
and flowers; she is intoxicated with incense and persecuted
by lovers; the gravest personages enact follies for her sake;
men unharness her horses, and carry her in triumph; the crowns
refused to great poets are thrown to her in profusion; the
homage that would be servile, done to a queen, seems quite
natural when offered to a prima donna. Only, she must not cross
the row of lamps which flame at her feet like a magic circle.
From the ivory or golden throne of her lyric empire she may
demand what she pleases; but let her attempt to overstep the
limit, to take her place in the drawing-room by the side of
one of those ladies who applaud her to the bursting of their
white gloves, and who pluck the bouquets from their bosoms to
throw to her, and what a change is there! How haughty now the
mien of those who so lately admired! What chilling reserve;
what insulting politeness; what a deep and sudden line of
demarcation! A polar breeze has succeeded to the warm breath of
enthusiasm; frost has replaced flowers; the idol is no longer
even a woman, but a _creature_.
"Some of those singers who are adored amongst the most
celebrated and beautiful, imagine that they go into society,
because, on certain nights, when camelias deck the staircases
and lustres sparkle to the wax-lights, when a crowd throngs the
saloons and obstructs the entrance, they are allowed to present
themselves, between eleven and twelve o'clock, at everybody's
hour, at the hour of uncared-for acquaintances and friends one
does not know. But, on their appearance, how quickly is the
music-book opened, how speedily are they manœuvred towards
the piano or singing desk, how pitilessly is every possible note
extracted from these fine singers! If by chance, instead of
_roulades_, they venture upon conversation, and aspire to enjoy
the pleasures of elegant and polite society, how quickly comes
the cloud on the brow of the fair hostess! How evident is it
that, in admitting the singer, she excludes the woman! Let the
best received presume to have a cold, and she will soon see!
Public-domain text, read in full here on John Shaqi.
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