Blackwood's Edinburgh Magazine, Vol. 68, No 420, October 1850Various
History
Blackwood's Edinburgh Magazine, Vol. 68, No 420, October 1850
Various
England -- Periodicals; Scotland -- Periodicals
"I may plead the example" appears to me a somewhat pompous expression
to signify that you have (very properly) adopted one doctrine of one
of the wisest, and another of one of the ablest of men. But he does
not seem to know that d'Alembert might have "pleaded the example"
of Aristotle in "including painting, sculpture," &c. "Poetry," says
the Stagyrite, "consists in imitation, and the imitation may be by
pictures, sculpture, and the like." It is ®mimêsis®--and it is Man's
nature to rejoice in imitation--®chairein tois mimêmasin®. But a
singular and illustrative trait in Mr Stewart's treatment of the
subject is, that though he thus, at the outset, enlarges the Poet into
the Painter, the Sculptor, &c., yet throughout the whole composition,
(I know not if an incidental word may anywhere occur as an exception,)
every point of the argument regards the Poet in words and verse! In
what frame of understanding could--did he put this Head to these
fragments of limbs?
BULLER.
In the name of the Prophet--FIGS!
NORTH.
I am more than half disposed to hint an objection to the use of the
words "sway over the other powers." We should have said--and we do
say, "predominance amongst the other powers." I see in "sway" two
meanings: first, a right meaning, or truth, not well expressed; to
wit, in thinking poetically--for his art, whatever it may be--or out
of his art--the Poet's other faculties minister to his Imagination.
She reigns. They _conform_ their operations to hers. This manner of
intellectual action happens in all men, more or less, oftener or
seldomer; in the Poet--of what Art soever--upon each occasion, with
much more decision and eminence, and more habitually. But secondly,
a wrong meaning, or error, is better expressed by the word "sway,"
to wit, that Imagination in the Poet _illegitimately overbears_ the
other intellectual powers, as judgment, attention, reflection, memory,
prudence. Now, you may say that every power that is given in great
strength, _tends_ to overbear unduly the other powers. The syllogistic
faculty does--the faculty of observation does--memory does--and so a
power _unbalanced_ may appear as a weakness--as wealth ruins a fool.
But in the just dispensation of nature every power is a power, and
to the mind which she constitutes for greatness she gives _balanced_
powers. Giving one in large measure--say Imagination--she gives as
large the directly antagonistic power--say the Intellective, the
Logical; or she balances by a mass of powers. I suspect that the undue
over-swaying was in Stewart's mind, and has probably distorted his
language. I know that Genius is the combination of ten faculties.
SEWARD.
Public-domain text, read in full here on John Shaqi.
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