Blackwood's Edinburgh Magazine, Vol. 68, No 420, October 1850Various
History
Blackwood's Edinburgh Magazine, Vol. 68, No 420, October 1850
Various
England -- Periodicals; Scotland -- Periodicals
It may be meant to do so, but it does not. The word "culture"
is dictated by or is proper to the First Case--for culture is
deliberate and elective. But in him--the young Poet--the Edwin--in
whom imagination is given in the measure assigned by the Muse to her
children, the culture proceeds undeliberate and unwilled. Edwin,
when he roves "beneath the precipice o'erhung with pine," or sitting
to watch the "wide-weltering waves," or is seized from the hint of
ballad or tale, or any chance word, with dreams and visions of the
more illustrious Past--follows a delight and desire that have the
nature and may have the name of a passion. All this is involuntary to
the unforeseen result--but afterwards, when he has accepted his art
for a vocation, he more than any man deliberately cultivates. Has the
Philosopher, then, in mind only the third class, and do the dangers
of "the culture of imagination" apply to them only--"the indolent
_fainéant_ dreamers of life?" If so, he not only forgets and loses his
subject, as announced by himself, but wastes words on one altogether
below it. "False conceptions of human life!" Here is an equivocation
which must be set right. "Conceptions of human life" are here meant to
apply to expectations of the honesty, gratitude, virtue of the persons
_in general_ with whom you or I shall come in contact in life. Good.
The contemplation of human beings--men and women--_ideally_ drawn by
the Poet lifts me too high--tinges hope in me with enthusiasm, and
prepares disappointment. So it has been often said, and said truly.
This is conception prospective and personal; and more philosophically
termed Expectation. But then "conception of human life"--from the lip
of a philosopher should mean rather "intelligence of man's life." Now
I repeat that only through the Poet have you true intelligence of
man's life--either external or internal. In the Actual the Poet sees
the Idea--just as a Painter does in respect of the visible man. In the
man set before him He sees two men--the man that is and the man of
whom at his nativity was given the possibility to be. He reads cause
and effect; and sees what has hindered the possible from being. Who,
excepting the Poet, does this? And excepting this, what intelligence of
man is an intelligence?
SEWARD.
There are two world-Wisdoms. One, to know men, as for the most part
they will show themselves--commonly called Knowledge of the World: one,
to know them as God made them. I forget what it is called. Possibly it
has no name.
NORTH.
Public-domain text, read in full here on John Shaqi.
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