Blackwood's Edinburgh Magazine, Vol. 68, No 420, October 1850Various
History
Blackwood's Edinburgh Magazine, Vol. 68, No 420, October 1850
Various
England -- Periodicals; Scotland -- Periodicals
We have done with education. We come to the Charity of the Muse. She
visits the poor man's home and the sick-bed. One almost starts at the
thought, in the midst of the smoke, and the wealth, and the uproar of
Pagan Rome. Yet there the plain words are, "She (pardon me) comforts
the indigent and the sick man." Is it not _sic in orig._?
NORTH.
_Sic._
BULLER.
Of her ministrations to the splendour of Arts and the luxury of
Patrician feasts--of her Theatres, that spread laughter or tears over
the dense myriads of the World's Metropolis--not a syllable. The
innermost heart of the Poet must have held the chord that gave out
the soft low sound--_inopem solatur et ægrum_. No introduction and no
comment. A solitary, unpretending sentence or clause.
NORTH.
God bless you, my dear Buller.
TALBOYS.
Amen. May the Chairman of Quarter Sessions live a thousand years! The
indigent man may, I suppose, be a poor learned or a poor unlearned
man. Relatively to the latter we may think, for Scotland, of Burns'
Poems lying in Scottish cottages; and beginning from Scotland, of
the traditional ballads and songs that sound in every hut throughout
Europe:--for Italy, of what they say of the Venetian Gondoliers singing
a Venetianised Gerusalemme Liberata.
NORTH.
So far, my children, for the "_parvis rebus_." Something on a more
extended scale, and of a loftier reach! We are commenting Horace.
From the earliest times of civilisation, a principal office of verse
was to adorn and solemnise the services of Religion. The cultivation
of Verse was early in the Temples. A moment's recollection recalls
to us the immense influence on the Hellenic Poetry of this ritual
dedication. This theme closes the Praise of the Poet. But faithful to
the strain which he has undertaken, and so far adhered to, the discreet
Eulogist still, in the loftiest matter, diminishes the pomp, rejects
ostentation, confines the sensible dimensions. And still faithful,
he dwells on that which, of less show, is the more touching. He has
to array a religious procession that drawing, as it moves along, all
gaze--thrilling--as it slowly passes door after door, and winds through
street after street, with solemn and sweet chaunt lifted from the
sorrowing Earth to the listening Heavens--the universal heart of the
Eternal Queen-City--Look! Who are they that, as the crowds divide, draw
into sight? Chaste boys, and girls yet afar from the marriage-bond. The
sanctity of natural innocence heightening to the heart, and rendering
more gracious, the sanctity of the altar!--winning favour--alluring the
worshipper to the worship!
SEWARD.
The only expanded movement of the short passage--a third of it--seven
verses out of the twenty-one.
NORTH.
Public-domain text, read in full here on John Shaqi.
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