Blackwood's Edinburgh Magazine, Vol. 70, No. 431, September 1851Various
History
Blackwood's Edinburgh Magazine, Vol. 70, No. 431, September 1851
Various
England -- Periodicals; Scotland -- Periodicals
It was the shortsighted policy of the new monarch to mingle royal
power with "republican institutions." He thus introduced the
tricolor once more, sent for Napoleon's remains to St Helena by
permission of England, and erected his statue in the old "chapeau et
redingote gris," the characteristics of his soldiership. The statue
was inaugurated on one of the "three glorious days," in July 1833,
in all the pomp of royalty,--princes, ministers, and troops. So much
for the consistency of a brother of the Bourbon. The pageant passed
away, and the sacrifice to popularity was made without obtaining the
fruits. Louis Philippe disappeared from the scene before the fall
of the curtain; and, as if to render his catastrophe more complete,
he not merely left a republic behind him, but he lived to see the
"prisoner of Ham" the president of that republic.
How does it happen that an Englishman in France cannot stir a
single step, hear a single word, or see a single face, without the
conviction that he has landed among a people as far from him in all
their feelings, habits, and nature, as if they were engendered in
the moon? The feelings with which the Briton looks on the statue
of Buonaparte may be mixed enough: he may acknowledge him for a
great soldier, as well as a great knave--a great monarch, as well
as a little intriguer--a mighty ruler of men, who would have made
an adroit waiter at a _table d'hôte_ in the Palais Royal. But he
never would have imagined him into a sentimentalist, a shepherd, a
Corydon, to be hung round with pastoral garlands; an opera hero, to
delight in the sixpenny tribute of bouquets from the galleries.
Yet I found the image of this man of terror and mystery--this
ravager of Europe--this stern, fierce, and subtle master of havoc,
decorated like a milliner's shop, or the tombs of the citizen
shopkeepers in the cemeteries, with garlands of all sizes!--the
large to express copious sorrow, the smaller to express diminished
anguish, and the smallest, like a visiting card, for simply leaving
their compliments; and all this in the face of the people who once
feared to look in his face, and followed his car as if it bore the
Thunder!
To this spot came the people to offer up their sixpenny homage--to
this spot came processions of all kinds, to declare their republican
love for the darkest despot of European memory, to sing a stave, to
walk heroically round the railing, hang up their garlands, and then,
having done their duty in the presence of their own grisettes, in
the face of Paris, and to the admiration of Europe, march home, and
ponder upon the glories of the day!
Public-domain text, read in full here on John Shaqi.
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