Blackwood's Edinburgh Magazine, Vol. 70, No. 431, September 1851Various
History
Blackwood's Edinburgh Magazine, Vol. 70, No. 431, September 1851
Various
England -- Periodicals; Scotland -- Periodicals
It is not our business to advocate this theory of association of
ideas, but briefly to expound it. But we may remark that those who
adopt (as Mr Ruskin has done in one branch of his subject--his
_Æsthesis_) the rival theory of an intuitive perception of the
beautiful, must find a difficulty where to _insert_ this intuitive
perception. The beauty of any one object is generally composed
of several qualities and accessories--to which of these are we
to connect this intuition? And if to the whole assemblage of
them, then, as each of these qualities has been shown by its own
virtue to administer to the general effect, we shall be explaining
again by this new perception what has been already explained.
Select any notorious instance of the beautiful--say the swan.
How many qualities and accessories immediately occur to us as
intimately blended in our minds with the form and white plumage
of the bird! What were its arched neck and mantling wings if it
were not _living_? And how the calm and inoffensive, and somewhat
majestic life it leads, carries away our sympathies! Added to
which, the snow-white form of the swan is imaged in clear waters,
and is relieved by green foliage; and if the bird makes the river
more beautiful, the river, in return, reflects its serenity and
peacefulness upon the bird. Now all this we seem to see as we look
upon the swan. To which of these facts separately will you attach
this new intuition? And if you wait till all are assembled, the bird
is already beautiful.
We are all in the habit of _reasoning_ on the beautiful, of
defending our own tastes, and this just in proportion as the beauty
in question is of a high order. And why do we do this? Because,
just in proportion as the beauty is of an elevated character, does
it depend on some moral association. Every argument of this kind
will be found to consist of an analysis of the sentiment. Nor is
there anything derogatory, as some have supposed, in this analysis
of the sentiment; for we learn from it, at every step, that in the
same degree as men become more refined, more humane, more kind,
equitable, and pious, will the visible world become more richly
clad with beauty. We see here an admirable arrangement, whereby the
external world grows in beauty, as men grow in goodness.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account