Blackwood's Edinburgh Magazine, Vol. 70, No. 431, September 1851Various
History
Blackwood's Edinburgh Magazine, Vol. 70, No. 431, September 1851
Various
England -- Periodicals; Scotland -- Periodicals
I have ventured to throw together these few crude remarks for your
consideration during the recess, being quite satisfied that you will
not feel indifferent upon any subject which touches the dignity,
status, or privileges of the boroughs. Whether Lord John Russell
agrees with the _Times_ as to the mode of effecting the threatened
Parliamentary change, or whether he has some separate scheme of his
own, is a question which I cannot solve. Possibly he has not yet
made up his mind as to the course which it may be most advisable to
pursue; for, in the absence of anything like general excitement or
agitation, it is not easy to predict in what manner the proposal for
any sweeping or organic change may be received by the constituencies
of the Empire. There is far too much truth in the observations which
I have already quoted from the great leading journal, relative to
the dangers which must attend an increase of constituencies already
too large, or a further extension of their power, to permit of our
considering this as a light and unimportant matter. I view it as a
very serious one indeed; and I cannot help thinking that Lord John
Russell has committed an act of gross and unjustifiable rashness, in
pledging himself, at the present time, to undertake a remodelment of
the constitution. But whatever he does, I hope, for his own sake,
and for the credit of the Liberal party, that he will be able to
assign some better and more constitutional reason for the change,
than the refusal of the English boroughs to bear arms in the crusade
which is directed against the interests of Native Industry.
PARIS IN 1851.--(_Continued._)
THE OPERA.--In the evening I went to the French Opera, which is
still one of the lions of Paris. It was once in the Rue Richelieu;
but the atrocious assassination of the Duc de Berri, who was stabbed
in its porch, threw a kind of horror over the spot: the theatre was
closed, and the performance moved to its present site in the Rue
Lepelletier, a street diverging from the Boulevard.
Fond as the French are of decoration, the architecture of this
building possesses no peculiar beauty, and would answer equally well
for a substantial public hospital, a workhouse, or a barrack, if
the latter were not the more readily suggested by the gendarmerie
loitering about the doors, and the mounted dragoons at either end of
the street.
Public-domain text, read in full here on John Shaqi.
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