The admiration of Mr Francis for the railway system is so intense as to be purely ludicrous. He considers every man connected with its development--whether as engineer, contractor, or director--as a positive public hero; and this work of his seems intended as a kind of Iliad, to chronicle their several achievements. Since we last met, Mr Francis has been hard at work upon his style. Formerly he went along, pleasantly enough, without any great effort: now he is not satisfied unless he can eclipse Mr Macaulay. He has read the _History of England_ to some purpose. Fascinated by the brilliancy of the sketches which the accomplished historian has drawn of the statesmen of the age of William of Orange, Mr Francis thinks he will not do justice to his subject unless he adopts a similar mode of handling. Unfortunately he has no statesmen to celebrate. But he can do quite as well. There are surveyors and contractors by the score, whose portraits in his eyes are just as interesting. Accordingly, we have a repetition of the old scene in the play. A voice without is heard calling, "Francis!" To which summons Francis incontinently replieth, "Anon, anon, sir!" and then--"Enter Poins, Peto, Gadshill, and the rest." No loftier apparition ever comes upon the stage; but we are warned that, in surveying these, we look upon individuals destined in all coming time to occupy a lofty niche in British history. Thus, to quote at random from the index, we have the following entries--"Richard Creed ... his services and character." "Who may this Mr Richard Creed be?" says the unconscious reader; "we never heard of him before!" "Fool!" quoth Francis, "he was THE SECRETARY OF THE LONDON AND BIRMINGHAM LINE! 'On his honesty and integrity,' said Mr Glyn on one occasion emphatically, 'I pin my faith, and you may pin yours also!'" And he adds, referring to an occasion which must have been exceedingly gratifying to the feelings of the recipient--"The testimonial to this gentleman, in 1844, was worthy the munificence of the givers. It is not often that a cheque for two thousand one hundred guineas accompanies an expression of opinion, or that the rich man's praise fructifies into a service of plate." As we contemplate our unadorned sideboard, we acknowledge the truth of this remark; still, we hesitate to exalt Mr Creed to the rank of a hero. Then we light on "Undertakings of Thomas Brassey.... Anecdote concerning him." Mr Brassey is a contractor, eminent no doubt; but so, in his own age, must have been the Roman gentleman who undertook the construction of the Cloaca Maxima, though his name has unfortunately perished. Then appears "Henry Booth.... His services." We trust they were properly acknowledged. Then, "Personal sketches of Mr Locke and Mr Chaplin." We are greatly edified by the _silhouettes_. "Personal sketch of Samuel Morton Peto." We shall try, if possible, not to forget him. Much as Mr Francis has done to perpetuate the memory of these great men, it