Blackwood's Edinburgh Magazine, Vol. 71, No. 438, April 1852Various
History
Blackwood's Edinburgh Magazine, Vol. 71, No. 438, April 1852
Various
England -- Periodicals; Scotland -- Periodicals
After this meeting, the party passed more ruins of considerable
villages, mostly built on shelves, and accessible only by ladders.
Fragments of curiously-marked pottery were picked up, of which drawings
are given. The walls, still of red sandstone, increased in the
magnificence of their proportions, at intervals presenting _façades_
hundreds of feet in length, and three or four hundred in height,
beautifully smooth and vertical. About eight miles up the cañon, a small
rill, previously lost in the deep sand, reappeared above ground. At
last, at nine and a half miles from the entrance, the horses of the
Pueblo Indians who accompanied him not being strong enough to go
farther, and the much talked-of _presidio_ or fort not appearing, Mr
Simpson resolved to return to camp. The height of the walls, at the
point where he turned back, he ascertained to be five hundred and two
feet, and still increasing. The length of the cañon he conjectures--he
does not mention on what grounds--to be about twenty-five miles. Its
average width, as far as he ascended it, was two hundred yards.
"Both in going up and returning through the cañon, groups of Navajos
and single persons were seen by us, high above our heads, gazing
upon us from its walls. A fellow upon horseback, relieved as he was
sharply against the sky, and scanning us from his elevation,
appeared particularly picturesque. Whenever we met them in the
cañon, they were very friendly--the principal chief, Martinez,
joining and accompanying us in our exploration, and the proprietors
of the peach orchards bringing out blanket-loads of the fruit (at
best but of ordinary quality) for distribution among the troops. I
noticed the cross, the usual emblem of the Roman Catholic faith,
stuck up but in one instance in the cañon, and this is the only one
I have seen in the Navajo country."
Public-domain text, read in full here on John Shaqi.
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