Blackwood's Edinburgh Magazine, Vol. 71, No. 438, April 1852Various
History
Blackwood's Edinburgh Magazine, Vol. 71, No. 438, April 1852
Various
England -- Periodicals; Scotland -- Periodicals
pressing invitations, particularly on occasion of a charity sermon.
Country or colour no object, we have been equally addressed by the
United-Negro-Mental-Cultivation-Society, and the Red-Republican-topsy-turvy
Association, under the presidency of Louis Blanc. With such an "open
sesame" in our possession as is supplied by the appointment we now hold,
it will be our own fault if a single object worthy of observation is
omitted from our report; and we have only to say, before we proceed to
the serious business of our commission, that we shall discharge the
duties of our office with a high and fearless disregard of all
consequences whatsoever. If we are a little too severe on the vanity or
other bad feelings of any of the thin-skinned subjects of our remarks,
we will observe that we are of an Irish family, in which the shortest of
our three brothers is six feet two; and that we are still in the
possession of the hair-triggers, with which our grandfather fought his
way to the head of the Bar at the expense of twelve meetings with the
various leading counsel on the opposite side. For the satisfaction of
less belligerent but equally sensitive opponents, we will mention that
one of our cousins is an attorney in very little practice, and that his
address will be forthcoming on the slightest hint of legal proceedings.
After this flourish of trumpets, we toss our hat into the ring, shake
hands all round with all the world, and proceed to work.
The objects which we take into our charge in the present communication,
are the places of amusement. First in the rank of these are, of course,
the theatres; but whether from their now existing merits, or from
ancient prescription, it is useless at the present time to inquire. To
many the word itself has still a magical charm; and, in spite of what is
called the decadence of the stage, the inferiority of actors, and the
general change of taste, to them the theatre has still unequalled
attractions: the poorest side-scenes are superior to Stanfield's finest
landscapes; orange-peel is sweeter than Sabæan odours from the spicy
shores of Araby the blest; and something, a sentiment, a regret, a
recollection, rises to them from the seediest of dresses, and dirtiest
of boards, and,
"Like the memory of the just,
Smells sweet, and blossoms from the dust."
Public-domain text, read in full here on John Shaqi.
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