Blackwood's Edinburgh magazine, Vol. 71, No. 439, May, 1852Various
History
Blackwood's Edinburgh magazine, Vol. 71, No. 439, May, 1852
Various
England -- Periodicals; Scotland -- Periodicals
of the millionaires of Baker Street, and the other his workday
appellation under which he enacts the distinguished part of a stag in
railways, and a defaulter in other speculations. His interview with Mr
Hawk would be diamond cut diamond if the strength and brilliancy weren’t
all on one side. Preliminaries are settled—the amount of marriage
portion agreed upon—a description of the Lester estates, including a
salt marsh taken on trust, and all things verging towards a satisfactory
fulfilment. The salt marsh instantly suggests to the ingenious Hawk a
perfect California of speculation; divided into shares, market rigged,
property realised, and no other inquiries are made. But the course of
true love never did run smooth. In the most dramatic scene of the play,
the mutual discovery is made that Mr Hawk is an insolvent, and Sir Harry
a swindler—the Lester estates are in an Irish bog, the salt marsh is the
sea. Pleasant is it to see the mild self-composure, and sublime
self-reliance of Mr Hawk. For some years he has softened his creditors’
hearts, and amused their hopes with reports of the return of his runaway
partner Mr Sparrow, with all the funds of the firm, and a vast increase
of capital by successful trade in the East. That expedient has been
tried so often that it begins to lose its effect. The creditors laugh
when he mentions Sparrow’s name. What can be better than to make Sir
Harry bronze his countenance, shave off his beard, put on a wig, buy a
carriage in Long Acre, and post up to Baker Street at the very moment,
decisive of his fate, when his creditors, now aware of the failure of
his chance of marrying his daughter to a fortune, are to assemble with
their united claims and remorselessly convey him to the Fleet? Sir Harry
agrees. Hawk retires to mature his plans; but Mrs Hawk, radiant with
some unexpected good news, hurries in—stops Sir Harry from the execution
of his infamous plot, and waits in happy expectation the _dénouement_ of
the piece. The creditors come in—they bawl, they grin, they scold, they
bully. Sparrow is appealed to in vain. They have heard too much of that
Levanter’s return to believe in it any more. Hark! a carriage rattles up
to the door. They look out of the window: carriage covered with mud;—old
fellow hobbles out—pigtail wig exactly as ordered. Capital, Sir Harry,
cries Hawk! Now, then, gentlemen, will you be persuaded? Won’t you wait
for ten days till I have arranged our partnership accounts, and then we
will pay you in full? The creditors pause. At last one of them goes out
to see. He comes back with a cheque for the amount of his debt! Hawk
stands aghast. Another goes out, and comes in holding up a bank post
bill for ten thousand pounds! More and more confounded. Hawk has
uncomfortable thoughts of forgery, and thinks Sir Harry carries the joke
too far. At last the wife of his bosom rushes in, and at the other door
Sir Harry makes his appearance. This is magic, witchcraft, sorcery; for
Public-domain text, read in full here on John Shaqi.
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